Beauties of the Night

A documentary film depicting five intimate portraits of migrants who fled their country of origin to seek refuge in France and find a space of freedom where they can fully experience their sexuality and their sexual identity: Giovanna, woman transgender of Colombian origin, Roman, Russian transgender man, Cate, Ugandan lesbian mother, Yi Chen, young Chinese gay man…

Accompany Osvaldo, "El Mariana", on an intimate six-month journey as he prepares for his fight at La Velada del Año 4, at the Santiago Bernabéu stadium in Madrid. Through his training, we not only see him face physical and emotional challenges, but also discover new facets of himself, where his public and personal lives become deeply intertwined.

A documentation of the year of high school of 1970 to 1971 for students and teachers alike at the St. Mark prep-school community, from the 'weird drama and film students', to the most infamous teachers of the year like Mr. Burns and Mr. Whatley, along with many references to music and film of interest at the time; Consistently from the perspective of an intrusive senior, according to Mr. Whatley, "had the worst case of senioritis he had ever seen." Shot entirely in Super-8, narrated by the director.

A Calling to Care is the inspiring story of 55 year-old Grace Stanley, a Canadian nurse who left her home and prestigious career behind to answer a calling halfway around the world in Karachi, Pakistan. Teaching nursing to local women in a strict Muslim culture that forbids them to even to touch men is a formidable task. However, Grace challenges her own values and belief systems to find common ground with her students, helping them to excel and feel respect for themselves in a culture that doesn't respect them. Whether it is getting her hands painted with henna, swimming fully-clothed in the ocean, or marching bravely with them on International Women's Day, Grace bonds with her students in a very special way, and ultimately discovers how the West can learn a lot more from the Third World than she ever thought.

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.

The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

"The cartels of Juarez, Mexico, are at war with a group of Mormons, some of whom are related to Mitt Romney. We went there to document the conflict, meet Romney's Mormon family, and find out more about how US policy is impacting the war on drugs" (Vice).

Two 10-year-old girls, one Palestinian and one Israeli, recount their daily lives under bombardment in the West Bank. Two poignant perspectives on the same conflict.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Lola lives in a public nursing home where everything is shared: the clothes, the showers, the only coffin and the endings. Her only personal belonging is the memory of her two great loves: her mother and husband. Thanks to them Lola has something to do every day, going to the main door’s window to check on her husband who lives across the street and to the phone, where she tries to call her mother. Both died long ago, but they are Lola’s only strength to reach her end in a world that, otherwise, is very impersonal for her.

Roman Kemp: Our Silent Emergency is a deeply personal and candid film following Roman as he explores the mental health and suicide crisis affecting young men in the UK.