Re-Births

Through a collection of video diary entries spanning more than a year, Pronouns in Bio delivers an offbeat and charming reflection on transness and identity. Part documentary, part video essay and part musical, the film follows director and star Lucy Rose Shaftain-Fenner, a recently out transgender, autistic woman, as she navigates the first year of her transition. Note: Lucy uses the name Frankie during the film but has since started using the name Lucy.

Follows the defiance of two art institutions in the Caribbean: one closed but squatted by artists, the other fighting to stay open. Against the backdrop of political strife, Haitian and Guadeloupean artists grapple with the concept of freedom in their battle to preserve their spaces.

When nature is destroyed, climate targets are disregarded and human rights are violated, there is always a lot of money behind it. This is where urgewald comes in. Since 1992, the environmental and human rights organization has been revealing the sources of money behind destructive projects. Over 30 years ago, a handful of activists gathered around a table in a shared flat to form the basis of the organization. Since then, the small club in the Münsterland province has become a recognized, powerful organization.

Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.

An account of the last two centuries of the Anthropocene, the Age of Man. How human beings have progressed so much in such a short time through war and the selfish interests of a few, belligerent politicians and captains of industry, damaging the welfare of the majority of mankind, impoverishing the weakest, greedily devouring the limited resources of the Earth.

Crump's mission to raise the value of Black life as the civil lawyer for the families of George Floyd, Breonna Taylor, Black farmers and banking while Black victims, Crump challenges America to come to terms with what it owes his clients.

A group of children are encouraged to play in a park by two men. Some play a skipping game. One of the other children refuses and eventually runs away. Another child is fascinated by the camera and stares at it throughout, even when encouraged by one of the men to play. IN the background, traffic passes and pedestrians stroll past behind a railing on an upper level. The children wear sunhats, indicating the weather is very sunny.

Thirteen years of war. Dozens of car bombings every month. One goal: to become an Olympic champion. The true story of grit and determination, of young men literally fighting for their lives one day on the battlefields of Iraq and competing to fight for their Nation the next one. Despite living under the persistent threat of ISIS, these athletes will strive to accomplish their task. The amazing journey of the Iraq National Team from obscurity and desperation to the edge of an historical qualification to Rio 2016. Will private Waheed be able to manage his army duty with his desire to go to the Games? Is young Jafaar ready to aspire to the Olympic stage he has been dreaming of, despite living in the most dangerous suburb in the world? Will promising heavyweight Saadi come back from his mission to liberate Falluja? Will Iraq finally be a peaceful Country?

A legendary city everyone dreams of visiting, Paris has retained all its authenticity, resembling more a collection of villages rather than one major metropolis. From the Eiffel Tower to Notre Dame de Paris, we discover the French capital's most emblematic monuments, and the vibrant life of its boulevards

Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions

Activists of the LGBTQ+ association Rain Arcigay Caserta come back living in a property given to them in concession, confiscated from the Camorra in Castel Volturno. The goal is to reconnect with the local inhabitants and propose a new idea of ​​sharing and regenerating the park.

In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.

A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Lipstick, which has been around since the beginning of time and over the centuries has been considered both a symbol of power and an instrument of submission, is used by all kinds of women: queens and politicians, actresses and singers, workers and makeup lovers.