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A family portrait in which the director profiles his grandmother, Odette Robert. Eustache includes in the film the conditions of its production — he is seated at the table with her, pours her some whiskey, speaks with the camera operator, manipulates the clapboard at the head and tail of the reels, and even takes a phone call. Robert, who was seventy-one, speaks rapidly and tells the story of her life, starting from her early childhood in villages in the Bordeaux region of France. A shorter version of the film ("Odette Robert") was edited in 1980 to be broadcast on television on TF1. The complete film only gained exposure in 2002, when it was salvaged by Boris Eustache, Thierry Lounas, João Bénard da Costa, Jean-Marie Straub, and Pedro Costa.

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

An exploration of Cologne Cathedral, an emblematic monument and world heritage site. The towering place of worship took over 600 years to complete. Once the tallest building in the world, its ornate facade remains a masterpiece of Gothic architecture - and a reflection of the evolution of Franco-German relations.

An intimate look at the human faces of America's current opioid epidemic. Seen through the eyes of a mother and the lens of a small town.

Trust Me uses stories, facts and experts to explain how our lack of media literacy is hurting us and how the media is negatively affecting our perspective of the world. True stories of how mis-information can result in real problems are meant to provoke thought and action in viewers.

FRONTLINE tells the story of how crisis and tragedy prepared Joe Biden to become America’s next president. Those who know him best describe the searing moments that shaped President-elect Biden and what those challenges reveal about how he will govern.

A short 1994 documentary that highlights the lives and experiences of a few LGBTQ+ residents of the Palouse. Filmed and narrated by Jeff Olson. Produced by the Latah/Nez Perce Voices for Human Rights. The film was digitized and provided by the Boise State University Special Collections and Archives.

With the help of Steve Bannon and Cambridge Analytica, Trump was groomed to appeal to those who have lost faith in media and politics. Bannon has admitted that he modeled his campaign on the one crafted for Hitler, who was a puppet of dark forces. Through meticulous investigation, John Hankey explores this, and how the media circus following Trump is a strategy for dividing a "United" States.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.

PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.

The history of surfing is like one long ride in which surfers relay the baton to each other across the years on a single, endless wave. In order to understand how this ancestral Polynesian tradition was able to span the globe and the eras until it became a competitive sport and eventually won a place at the Olympics, we’ll plunge into its history through the exceptional stories of those who allowed it to survive and be reinvented.

Ante Meridiem is a sensory journey through the first hours of dawn. Kind but vehement, he explores the dichotomy between silence and bustle, patience and haste, taking both to their ultimate consequences.

What if French Rock were born with Edith Piaf? From sweet sixties pop to today's gender-indifferent anthems, from feminist rebels of the seventies to fashion icons of the social media age, from Françoise Hardy to Christine & The Queens, via Vanessa Paradis, Catherine Ringer, Charlotte Gainsbourg and many more, Oh Les Filles! tells the untold story of French female rock stars. Narrated by Clémence Poésy, this groundbreaking documentary combines interviews and iconic footage to radically reverse perspectives and give the patriarchy a kick!