The flowers of the wall

Ahead of the U.S. Presidential Elections, Angela Scanlon travels across America to meet some of Donald Trump's most unlikely supporters - including a second-generation Mexican American who wants Trump to build that wall.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Western Sahara is a conflict region located in North West Africa. After a bloody war in the region, the land is littered with landmines and war ruminants and explosives. There are about 7 to 10 million landmines still buried there, especially in the area close to the wall built by Morocco and which separates Western Sahara into two. Landmines in the area have a huge impact on life in general; human casualties, cattle and irreversible environmental catastrophes.

Documentary that denounces the damages caused by the use of land mines in Western Sahara and shows the lives of those affected.

Tinder. Woman looking for a man, man looking for a woman. It could have been so simple if she wasn't Israeli and the "man nearby" wasn't behind the wall, in the East Bank of the Jordan River. Israeli filmmaker Ines Moldavski meets Palestinian men she met on the Internet to get them to talk about their need for love and desire to possess.

The film documents Palestinian everyday's life under Isreali occupation in East Jerusalem. It uncovers Isreals policy of judaizing the city in order to gain Jewish majority by driving out Palestinian people from the city. The documentary includes interviews with Palestinian as well as Isreali political leaders, political analysts and human right activists.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.

On the threshold of her old age, Dolores faces a wall full of memories.

Drawing from the inspiration of their grandmothers, singer Aziza Brahim and activist Senia Abderhaman wrestle for the independence of their people from a brutal and corporate backed Moroccan regime using culturally derived methods of music, poetry, and nonviolent resistance.

One inside, one outside. One thin line that creates “us” and “them”. The importance of the borders has again a huge impact in Europe. Yesterday it was all about free movement. Today it´s about controled borders. And walls and fences have become normality. “Before our eyes” is a testimony that shows a situation where Hungary, and indirectly Europe closes itself to the outside world. The film portrays four places, four events, which was filmed over three days in early September 2015, when the worst refugee crisis we have seen since the Second World War started in earnest. “My Europe does not build walls!” said Stefan Löfven, the swedish prime minister, in a speech a few days later. Before our eyes shows how words and actions are no longer connected. Today, Spain, Greece, Bulgaria, the UK, Hungary, Slovenia and Austria have built fences and walls to strengthen theirs and Europe’s external borders.

This documentary deals with the great injustice and pain caused by anti-personnel mines and demands the urgent need for all the countries involved to sign the demining protocols. The short begins with a 24-hour isolation carried out by the author in a hole/crater in the middle of the desert to empathy with the Saharawi people, from there progressively through their commitment and coexisting for getting close to the reality of the victims of antipersonnel mines and their everyday live. Denunciations and wishes of this people who have suffered a hard exile are verbalized. In parallel, the author is interviewing, listening, sharing and designing an ingenuity that he is building to exploit the mines. The melphas (costume of the Sahrawi woman) make up the sail that moves the wheels that trace with phosphate powder the path with the word FREE and end up exploiting the mine, to show the inhuman damage it cause. A call for peoples to sign demining protocols urgently.

A troubled rock star descends into madness in the midst of his physical and social isolation from everyone.

In Berlin in 1961, an American soldier and a German engineer join forces to build a tunnel under the Berlin Wall in order to smuggle out refugees, including the soldier's East German girlfriend.

A man is haunted successively by seven women who have lost their keys. He reacts to the request that he be allowed to use the toilet with increasing helplessness and despair, which is discharged in violence.