LALGAM - portraits of survival

Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.

Ahead of the U.S. Presidential Elections, Angela Scanlon travels across America to meet some of Donald Trump's most unlikely supporters - including a second-generation Mexican American who wants Trump to build that wall.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Western Sahara is a conflict region located in North West Africa. After a bloody war in the region, the land is littered with landmines and war ruminants and explosives. There are about 7 to 10 million landmines still buried there, especially in the area close to the wall built by Morocco and which separates Western Sahara into two. Landmines in the area have a huge impact on life in general; human casualties, cattle and irreversible environmental catastrophes.

The film situates the viewer within a makeshift space of an animal market in Algeria. Drifting between feeding and waiting, one attunes to the bodies of goats and camels, the oldest companions of Arab men. As we move deeper into the desert, the site turns into a sacrifice zone and reveals its dark geopolitical secrets. The sensory ethnography film will invite you to question the banality of displacement, confinement and exploitation in an out-of-sight territory.

From the Sahrawi refugee camps of Tindouf (Algeria) to Tifariti (freed territories of the Sahrawi Arab Democratic Republic), we embark hand in hand on an adventure with a group of artists from all around the World. Each one has their own story, experience, worldview and artistry. An extraordinary and heartwarming journey through a dreamlike world that gives us hope in humanity.

Médicos del Mundo Sahara presents the "Hunna Raquizat Alhayat" campaign that tells the stories of 17 Saharawi refugee women with different specialties and responsibilities within the field of health. This campaign arises from the need to value their work and raise awareness around all the challenges they face in their day to day, with the aim of contributing to the construction of a fairer society for all people. Saharawi women have been and continue to be the ones who sustain the population or, in other words, they are the pillar of life.

Western Sahara is one of the most heavily mined territories in the world following decades of conflict with its neighbours. Despite a 1991 ceasefire, most Sahrawis still linger in refugee camps in Algeria because it is too dangerous to live there. Now, some brave young women have taken it upon themselves to clear their ancestral lands of landmines so their people can return.

OASIS, a documentary that tells us about water's historical role in Western Sahara via the true stories of people who turned this wild desert into a place full of life.

Every year, approximately 800 Sahrawi boys and girls leave the refugee camps to study in Cuba, Algeria and Libya… 15 years later, they return biologists, doctors, engineers… but when they get back to the refugee camps all they have is the desert…

This film presents, through the eyes four students - Gemma, Colo, Cristian and Mireia - their experience of the trip, the feelings that moved them, the work carried out in the camps and, above all, their contribution to raising awareness of the unresolved difficulties the Sahrawi people face.

Ali Salem Hamudi Mohamed - Yahdih, was born in 1955 in El Aaiún (Western Sahara). He completed his secondary schooling in the "Spanish" Sahara. A scholarship allowed him to enrol at the Universidad de la Peninsula in 1975, but Morocco's invasion of the Sahara led him to return to the city of his birth and go into exile with his people, participating in the resistance and helping to organise the Tindouf Refugee Camps (Algeria). In 1980, the Polisario Front and the Government of Cuba offered him the opportunity to study Architecture at the University of Havana. On his return to the Camps in 1985 he worked for the SADR's Department of Construction. He designed more than twenty public buildings, including town halls, schools and nursery schools, and also collaborated with international aid organisations to build hospitals and training colleges. All of these buildings were built collectively by the Saharan people. ;In 1999 he emigrated to Spain. His family joined him five years later.

With help from the city of Gavá, the Sahrawi painter and artist Mohamed Moulud Yeslem, presents here in the city his project “a flower for every landmine.” Through this initiative, he has mobilized schools, civil society associations, other entities and even private citizens to make flowers and bring them to be planted next to the landmines that hide the world’s longest wall, a wall constructed by Morocco in Western Sahara and which has reaped division among the Sahrawi people for over 33 years. In all, they have planted 3500 flowers, but they have also learned that they are not just planting flowers for Western Sahara, but to fight against all walls or other buriers to humankind, wherever they may be.

Smara is the city of dust, kingdom of sirocco, a surviving ruin of a suffocating region… Thousands of Sahrawis who fled Western Sahara after the war against Morocco (36 years ago) live in this refugee camp, located in the Sahara’s inhospitable north, in the middle of the Algerian hamada. They live here, under poor human conditions, thanks to international help. A small film cooperative fights, with barely any means, to elevate the voices of young Saharawis. It is one of the many Nollywoods (Hollywood of emptiness) found in Africa.