Land of mines

Ahead of the U.S. Presidential Elections, Angela Scanlon travels across America to meet some of Donald Trump's most unlikely supporters - including a second-generation Mexican American who wants Trump to build that wall.

Anna Osborn and Sonia Rockhouse were forever changed when the Pike River Mine Disaster stole their loved ones, but instead of sitting down, they stood up! But They Did tells Anna and Sonia's story, following them through the period of time before and during the re-entry of the mine.

The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.

Documentary that denounces the damages caused by the use of land mines in Western Sahara and shows the lives of those affected.

With help from the city of Gavá, the Sahrawi painter and artist Mohamed Moulud Yeslem, presents here in the city his project “a flower for every landmine.” Through this initiative, he has mobilized schools, civil society associations, other entities and even private citizens to make flowers and bring them to be planted next to the landmines that hide the world’s longest wall, a wall constructed by Morocco in Western Sahara and which has reaped division among the Sahrawi people for over 33 years. In all, they have planted 3500 flowers, but they have also learned that they are not just planting flowers for Western Sahara, but to fight against all walls or other buriers to humankind, wherever they may be.

Silence always surrounds the mine, first when it explodes and then when it eternally haunts its victims. The history of the silence of this fire hidden by Morocco in the sand of Western Sahara has left more than 4,000 victims in what is considered the largest minefield in the world. Daha and Fatimetu suffered the effect of the silence of the mines, their lives changed forever, like that of the Saharawi people who, after 14 years cleaning the desert of artifacts, the rupture of the ceasefire have left the future of the contamination of their territory.

Western Sahara is one of the most heavily mined territories in the world following decades of conflict with its neighbours. Despite a 1991 ceasefire, most Sahrawis still linger in refugee camps in Algeria because it is too dangerous to live there. Now, some brave young women have taken it upon themselves to clear their ancestral lands of landmines so their people can return.

In the chaotic aftermath of the fall of Saddam Hussein, Fakhir, a father of eight, is serving in the Iraqi army. All around him, he sees innocent civilians getting injured by landmines, so he determines to disarm them with his own hands, using just a pocketknife and some wire cutters. He clears thousands of roadside bombs, mines and car bombs, knowing that every time he cuts a wire it could cost him his life—which he seems to find less important than the lives of others. In 2014, by this time having lost a leg, he starts working for the Kurdish Peshmerga, disarming boobytraps left behind by Daesh in and around Mosul. An enthusiastic home video maker, Fakhir collects hundreds of hours of footage of his day-to-day work.

Tinder. Woman looking for a man, man looking for a woman. It could have been so simple if she wasn't Israeli and the "man nearby" wasn't behind the wall, in the East Bank of the Jordan River. Israeli filmmaker Ines Moldavski meets Palestinian men she met on the Internet to get them to talk about their need for love and desire to possess.

The film documents Palestinian everyday's life under Isreali occupation in East Jerusalem. It uncovers Isreals policy of judaizing the city in order to gain Jewish majority by driving out Palestinian people from the city. The documentary includes interviews with Palestinian as well as Isreali political leaders, political analysts and human right activists.

10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.

In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.