Babes in Toyland

The young musician and composer Josef lives with Beethoven's music copyist in Grinzing. In the evenings, he plays for dances in the Prater, often his own melodies, although he doesn't make much effort to spread them, as they're almost all waltzes, a dance not well-regarded in high society because they're too sweaty. When one evening a lively princess—fresh from the convent—mingles incognito with the Prater crowd and falls in love with the dashing conductor Josef, an entire cultural system of values ​​begins to crumble.

Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?

In a quest to know his true identity, Santa embarks upon a journey to the forbidden North. With a little help from his friends, Santa discovers the source of his extraordinary magic, and we learn how he finds his true love, his forever home and his destiny.

Two families that hated each other for years are forced to spend Christmas together.

Hardrock, Coco and Joe is a short stop motion animated cartoon based on a song written by Stuart Hamblen. It is about three of Santa Claus' helpers who ride on Santa's sleigh each Christmas.

Forlorn heiress Penelope Wilhern is cursed, and the only way out is to fall in love with someone of suitable stock. But how can she find her soulmate when she's sequestered inside her family's estate with only her parents to keep her company? This untraditional fairy tale is about a girl who bucks convention to create her own happy ending.

Krabat, a beggar boy, is lured to become an apprentice to an evil, one-eyed sorcerer. With a number of other boys, he works at the sorcerer's mill while learning black magic. Every Christmas one of the boys has to face the master in a magical duel, where the boy never stands a chance because the master is the only person who is allowed to use a secret spell: The Koraktor.

A destitute, crippled child and his mother are visited late one night by three traveling strangers who claim to be following a star so that they may bring gifts to a newborn king. The yearly live telecasts of Gian Carlo Menotti’s Amahl and the Night Visitors were a cherished Christmas tradition throughout the 1950s. In addition, since its premiere in 1951, Amahl has been performed regularly by community groups and small opera companies throughout the US, making it the single most popular American opera. This production, staged by the composer himself and originally telecast on Christmas Day, 1955, is a testament to the work’s enduring power to move the heart and stir the soul. Starring Rosemary Kuhlmann as the Mother and Bill McIver as Amahl. Members of the Symphony of the Air are under the direction of Thomas Schippers.

That bionic bonehead is off to the North Pole to stop Dr. Claw from taking over Santa's elves and workshop. Accompanied as usual by Penny and Brain who foil Claw's operations once again.

Leslie Zevo is a fun-loving inventor who must save his late father's toy factory from his evil uncle, Leland, a war-mongering general who rules the operation with an iron fist and builds weapons disguised as toys.

Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

An adaptation of Angela Carter's fairy tales. Young Rosaleen dreams of a village in the dark woods, where Granny tells her cautionary tales in which innocent maidens are tempted by wolves who are hairy on the inside. As Rosaleen grows into womanhood, will the wolves come for her too?