Just Don't Fuck!

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

A film documenting the landscapes of northern Iceland.

A look at what it's like to be gay and black in America.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

A regular Wednesday night in Tokyo's subway. The train is filled with more and more people...

A fascinating insight into the life and works of photographer Imogen Cunningham. Coming into public attention around 1910, she was celebrated in the late sixties through awards, honorary degrees and exhibitions. Her photos are looked at from three focal points: nature, portraits and figure studies.

A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".

In the haunting stillness of post-Soviet suburbia, a lone man walks with purpose — toward the river. With each heavy step across the gray, lifeless field, he carries not only his own weight, but the burdens of an entire generation. He does not speak. He does not turn back. We do not know his name. But we know where he’s going. The River awaits. A meditation on isolation, purpose, and the absurdity of existence, "Идущий к реке" captures the Slavic soul in a single low-res frame. What started as a simple clip from a local Russian TV segment became a viral icon of stoicism, despair, and meme-worthy introspection.

A description of the prevailing deplorable conditions in coal mines, as well as the burial of deceased miners following a mining accident in the Silesian town of Neurode.

This short documentary follows Frank Ladouceur, a man who lives alone for months at a time, trapping muskrat in the vast, desolate wilderness of northern Alberta. He receives no visitors, and rarely voyages to his family home in Fort Chipewyan. What some may consider an unthinkably lonely, isolated existence is the calling of this fiercely independent Métis man. Remarkably determined and self-sufficient, Frank makes his home in the wild bush.

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.