The Master of Apipucos

“Let’s describe it as a desire to be outward followed by a fear of being seen,” The 1975’s Matty Healy tells Apple Music. “I think that is the conversation that happens in this record.” This short film finds Healy reflecting on his motivations and complexities as he and his bandmates reveal the ideas that fuelled their fourth album, Notes on a Conditional Form. It’s a unique and unguarded look at one of Britain’s most venturous bands.

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...

Displaying the faces and voices of transgender youth, the documentary short shows the authenticity of queer and trans people living in Toronto, while simultaneously discussing the struggles for self-acceptance that people who do not conform to cisgender and heteronormative ideals of gender face. Andy Nguyen, trans director and film student, captures his trans friends in their natural state on 16mm film shot on a Bolex h16 camera. Accompanied by narration written and recited by Salem Rao, this film represents that trans people exist and this is what we look like. Regardless of the obvious everyday transphobia, trans people find community and uniqueness within each other and themselves.

"Lionpower from MGM" (1967) is an exciting 60's promotional short subject, which showcases MGM's releases for the 1967-68 film season under a "five seasons" theme--fall, winter, spring, summer--plus a "fabulous fifth season". The main music is set to the rousing theme from "The Magnificent Yankee" composed by David Raksin in 1950. The promo is narrated by some of the best voice-over actors of the time, and is an excellent time capsule of a by-gone era.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

This documentary film is about one of Georgia's regions - Racha. The title of the film is taken from the name of one of Racha's high mountain villages. It tells about the poorest in society living in the mountains and the rise of the SSSR. The product of a remarkable collaboration between the first Georgian female filmmaker and the leading Georgian avant-garde artist David Kakabadze.

A portrait of the American artist Ray Johnson (1927-1995), based on a personal interpretation of Johnson’s avant-garde strategies, using the telephone and the internet as primary sources for sound and image.

Aspects of a London day, including prostitutes on street corners, a striptease show and the 2i's Coffee Bar.

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

I have a lot of interest and respect for classic cinema. I tried to make a film with at least 20 portraits of classical actresses whose films I'm familiar with. Difficult choices from all over the world. They each have their own beauty.