Lionpower from MGM

João Pedro Rodrigues answers the question from the title with an autobiographical short-film.

Alcoholism and its Ill-Effects was considered to be one of the most popular science propaganda (or educational) films produced in Russia before the revolution of 1917. Alexander Khanzhonkov, the most prominent Russian film producer of that era, financed a special department dedicated to non-fictional cinema, despite the fact that such films were not commercially successful. Unfortunately, not a single copy of the film has survived to the present day. All that remains are 12 frames, which were used by Izvolov to create this reconstruction. He also used extracts from critical reviews, published at the time of the film’s release, to produce a soundtrack.

An animated film about the history and use of hot water.

This FitzPatrick Traveltalk short visits Guatemala City, touching upon its sights, customs, and history.

Upon realising her generation won’t have a future unless the world’s politicians act now on climate change, 15-year-old Greta Thunberg skipped school in August 2018 to protest outside the Swedish parliament. What started as a one person strike soon gained global momentum. We follow Greta and the organisers of the school strikes for climate as they are cementing a worldwide movement ahead of their first global protest that took place on March 15th, 2019. It was the biggest climate strike in history with up to 1.6 million students in more than 125 countries.

A young trans man tells his story on a early morning journey to Coney Island.

A short documentary about the press of GoldenEye.

In 1969, Akbar Padamsee, one of the pioneers of Modern Indian painting, made a visionary 16mm film called Events in a Cloud Chamber. This was one of the only Indian experimental films ever made. The print is now lost and no copies exist. Over 40 years later, filmmaker Ashim Ahluwalia worked with Padamsee, now 89 years old, to remake the film.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Unlike our dream of becoming a great filmmaker, the movie boards that adults talk about are tough. We are looking for our idol, Bong Joon-ho...

Garden of Des Moines is an intimate interview-style short film that follows drag performers in Iowa as they navigate the challenges of being queer in a conservative state. Through personal stories, the film explores the difficulties they face, from political pushback to societal pressures, while highlighting the joy, resilience, and freedom they find in drag. Set against Iowa's landscape, the film captures the vibrant, defiant beauty of queer expression flourishing in unexpected places

A Sunday fair with hunger in the air, in a lost Galician village under the black umbrellas of a pitiless rain...

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.

This project uses mixed reality convergence through which users can participate in some of the digital existing archive of Lynn Hershman Leeson, now housed in the Special Collections Library at Stanford University. Created in 2006, this project is one of the first artist archive projects in Second Life and has been exhibited at the Museum of Contemporary Art Montreal, ISEA and San Francisco Museum of Modern Art.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.