Life and Death at the Ambassador Hotel

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Caged. Invisible. Shamed. Trapped. These words mark the tenants, clerks and even the owners of Chicago's last remaining Singe Room Occupancy (SRO) hotels. These small spaces are home for many at the bottom of Chicago's housing ladder. Cloaked in darkness and secrecy, these hotels are often maligned as drug dens and havens for prostitution but the people who live, work and own these hotels have never fully shared their stories. Caged Men is a feature-length documentary which examines the disquieting stories of near-homeless Americans living on the margins and their invisibility in a largely indifferent and, at times, hostile community. It attempts to lend a voice to SRO residents, clerks, owners and to the hotels themselves.

What does the looming A.I. revolution mean for us as individuals and as a society?

Cold Refuge is about the physical, psychological, and spiritual aspects of full immersion in the natural world: how, though it may seem counter-intuitive, swimming in cold water helps mitigate some of life’s most serious challenges. The film’s diverse film subjects include a wheelchair-bound, paralyzed swimmer who faces fear by diving off a high pier; a Black man who was told by whites when he was 13 that “Black people don’t swim” (it took him 30 years to try); a blind man who tethers himself to a sighted swimmer; a woman with aggressive breast cancer who “swims to chemo;” a lawyer who reduces courtroom stress in the open water; and a young woman who communes with her late mother in San Francisco Bay, where they both swam together. Along with swimmers’ stories of adversity and resilience, the film’s marine mammals, birds, artwork, and a variety of open-water locations create a visual meditation on what it means to escape our abstract digital world in favor of what’s real.

Monika Treut explores the worlds and thoughts of several female to male transgendered individuals. As with Treuts first film, Jungfrauenmaschine, Gendernauts, enters a minority sector of San Fransisco culture. The characters in this film have a lot to complain about, and they do. They are people whose physical appearance (female) does not match their inner sexual identity (male). The subject is pinpointed in the film independant of sexual orientation. Leave your conservative hats at the door, this is going to need your special attention.

The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.

Mash is a testament to the efficacy of the frame, wheels, cockpit, and drive-train that carry us through SF's labyrinth of lanes, alleys, and everything in between. This video recognizes those who have inspired us with their unique presence in the streets, who have created an accelerated style of riding bikes built for the track but tailored for daily abuse. The synthesis of this video sprang from a desire to show the world how these locals take ownership of San Franciscos dense landscape and display an incredible amount of focus, fluidity, and grace in the process.

The little known story of one of the worst non-combat disasters in the history of the US Navy, …AS IF THEY WERE ANGELS is a story of courage, heart, sacrifice and the heroism of miners & fishermen of 2 small towns, who risked their lives to save nearly 200 American sailors, shipwrecked on the rugged cliffs of Newfoundland. Narrated by Peter Coyote, it’s a deeply layered tale of navigation errors, courts martial mistakes, a steep loss of life, and resonates today as if the very telling of its deep humanity offers a lifeline for our fractured times.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

2003 documentary film produced by Oliver Stone for the HBO series America Undercover about the conflict in occupied Palestine. He speaks with Ehud Barak and Benjamin Netanyahu, former prime ministers of Israel, Yasser Arafat, late president of the Palestinian National Authority, and various Palestinian activists resisting the oppression of the zionist regime.

Voices in Wartime is a 2004 documentary that explores the human experience of war through poetry. Combining interviews with soldiers, journalists, and historians, it reveals how war affects individuals and societies across time and place. The film features poets from around the world – from Homer and Wilfred Owen to Shoda Shinoe and modern writers in Iraq and Nigeria – showing how poetry expresses the pain, trauma, and truth of conflict. By linking verse with real-life accounts, Voices in Wartime highlights how poetry helps us understand the emotional and moral impact of war.

Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".

A unique visual journey through galaxies, deep into the subatomic world of elementary particles, and into the center of the sun. Witness the formation of the Earth and the beginning of life and the birth of thought. Shown exclusively at the Museu do Amanhã in Rio de Janeiro.

Controversy erupts over a New-Deal-era mural of the namesake of San Francisco’s George Washington High School. The thirteen-panel artwork "The Life of Washington" by Victor Arnautoff offers a view of the Founding Father both celebratory and critical, referencing his involvements in slavery and Native American genocide.

In an increasingly oppressive modern age, the characters of this film are subject to the alienation and meanness that characterizes today’s days.