We Were There to Be There

A celebration of life in the Sahel region of Africa, this film showcases many of Niger’s venerable music styles. Tuareg Electric Guitar trance rock, Bori cult dance ceremonies, Fulani Folk, and Roadhouse Gospel Rave-ups are some of the segments included in this latest "Folk Cinema" classic from Sublime Frequencies! Filmed in December of 2004 on location in Niger, Hisham Mayet delivers a spontaneous, raw, and inspiring collection of images, music, and ceremony (again with a single camera presentation) from a nation mired in poverty and continual post-colonial disappointment. Quoting from Mayet’s liner notes: "This is not music as commodity, this is music as survival. There is a saying in Niger that goes, "when we die we know we are going to heaven because we already live in Hell" well I think its more like the purgatory that we all live in and they sure have managed to transcend with an incredible natural resource: Music. Dig it!"

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

"Shot live for TV by the legendary German music show “Rockpalast” this DVD represents the earliest example of a complete Fahey concert performance. The multi-camera filming features detailed close-ups of Fahey’s playing style giving fans a rare insight into what Pete Townsend has called the William Burroughs of the guitar. Fahey’s 1978 visit to Europe saw him in fine wild form performing an 11 track set and as an incredibly rare bonus a short interview with the maverick iconoclast.

A documentary that explores the challenges that a life in music can bring.

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

Young members of 3 New Orleans school marching bands grow up in America's most musical city, and one of its most dangerous. Their band directors get them ready to perform in the Mardi Gras parades, and teach them to succeed and to survive.

BTS 5th Muster: Magic Shop was BTS's 5th Muster concert and fan meeting event. It took place from June 15, 2019 to June 23, 2019 in Busan and Seoul, South Korea.

"Finding Joseph I" is a feature documentary chronicling the eccentric life and struggles of punk rock reggae singer, Paul "HR" Hudson, a.k.a. Joseph I, the legendary lead singer from Bad Brains.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

This live performance includes a 10 song concert in Amsterdam, plus 4 exclusive uncut videos. Extras include tour of The Red Light District, interview, photo gallery, weblinks to bonus online content, and bonus video content.

Martin Scorsese’s electrifying concert documentary captures The Rolling Stones live at New York’s Beacon Theatre during their A Bigger Bang tour. Filmed over two nights in 2006 with an all-star team of cinematographers, the film combines dynamic performances with archival footage and rare glimpses behind the scenes, offering a vibrant portrait of the band’s enduring energy and legacy.

London 1976: Between economic crises and the Silver Jubilee, something is brewing in the squats and basement clubs of West London: Punk. A promise, a new beginning. Punk meant self-empowerment, especially for the women in the scene. For the first time, women picked up guitar, bass and drums, formed bands and wrote their own songs.

THE highest quality audience shot video of all times! My Newark film has extraordinary image quality. You won't see anything like this on any other audience shot film! Newark was much more limited editing wise because I didn't have many other sources but my shoot is so good and so steady (only at some times stupid periscopers and other "mobile phone people" got in the way) that with additional footage from friends I was able to create a mighty fantastic film. Video specs: 1080p/24 Audio specs: PCM 24bit 48kHz

Formed in 1997, Huckleberryfinn is an iconic Korean indie band that has been credited with proving the value of Korea's indie music scene. They have earned recognition through the Korean Music Awards and have been featured in the list of 100 Greatest Korean Popular Music Albums. This video follows the band's frontman, Lee Ki-yong, through interviews and his daily activities, exploring Huckleberryfinn's recent music and band activities, as well as discussing the current state and future of rock music.

The trajectory of the Brazilian punk band Plebe Rude is told in an acid and good-humored tone. Through internal dialogues, the members and contemporary characters of the phonographic industry expose differences, exorcise hurts and analyze how changes in the Brazilian scenario in recent years. The group draws a musical panorama from the events of the 70s and 80s, the group's most successful period alongside the biggest names in national rock.