Hans Teeuwen: Hard en Zielig

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop it.

Comedian Wim Helsen apologizes for the violence, religious extremism and lousy economy plaguing Europe, then offers a happy panacea for all of it.

Television registration of the eponymous performance by the Dutch comedian Claudia de Breij. Based on the life story of revue artist Heintje Davids, De Breij sings, dances and tells about a little girl who was told by her father that she was 'too fat and ugly' for the stage. Later, when she had long conquered that stage, there were people who decided that people like Heintje were too Jewish to be allowed to be there. But whoever stopped her, whatever happened: Heintje was there, and she always came back.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy.

The Bandit goes on another cross-country run, transporting an elephant from Florida to Texas. And, once again, Sheriff Buford T. Justice is on his tail.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Themroc, a bachelor house painter living at home with his mother, leads a sad and colorless life. One day, after a run-in with his boss, he rebels. He wrecks his apartment, rejects every facet of bourgeois life, and begins acting like an urban, modern-day Neanderthal.

Patrick Laureij gets vulnerable for his second comedy show, talking openly about his depression in a personal yet funny way.

Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.

A woman becomes the center of attention for all the wrong reasons when meeting her best friend's new friends.

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.