Claudia de Breij: Hier Ben Ik

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

The second show of Dutch comedian Hans Teeuwen: sex, violence and foul language in a string of songs, abrupt transitions and evocative characterizations.

In his third theatre program the Dutch comedian Hans Teeuwen plays with empty wine bottles, little girls and himself. Poetic, absurd, false and genuine.

Marian and Ido are married and have a 16-year-old daughter, Pinkie. Marian and Ido's marriage has become boring. Ido is a conservative and neat furniture manufacturer, but secretly starts a relationship with the beautiful Emma, ​​his secretary. When Marian discovers this, she offers him a choice: stay with her or move on with Emma. Ido cannot make this choice, so Marian throws him out. Ido moves in with Ida, but continues to interfere intensively with Pinkie, who to his horror becomes friends with Wim, one of his Turkish workers.

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Registration of the first theatre show by the Dutch comedian Sanne Wallis de Vries.

Registration of the theatreprogram by the Dutch comedian Lenette van Dongen. A show about getting older. She is unabashedly honest about her lessons in aging and the wisdom that comes with it.

Patrick Laureij gets vulnerable for his second comedy show, talking openly about his depression in a personal yet funny way.

In his third solo performance the Dutch cabaret artist Harrie Jekkers makes a trip around his own world and travels back to the fifties, singing and telling.

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Stage registration of the second comedy special by the Dutch comedian Micha Wertheim. This performance takes place in a dream, a dream in which Micha Wertheim shares all kinds of confessions, for example about how he manages to cope with the knowledge that he is probably not a real genius.

Stage registration of the third comedy special by the Dutch comedian Yora Rienstra. When Yora Rienstra and her wife have a child with a donor, she must find her way in an uncharted role.