Women at Work

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.

Made in 1957, this film glamorizes a service job in which minor emergencies appear as serious and absorbing challenges. Marriage is assumed to be the natural end of the middle-class woman's working life. No. 97 in the Eye Witness film series.

A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.

Women’s voices rise to deliver testimonies of victims of sexual violence. By reconstructing a story with these fragments of experience, a societal portrait is painted throughout the documentary. Like a mosaic, the pieces stick together to build a unique story that could belong to any human.

Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.

After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.

Sports media scholars look at the persistence of heterosexism and homophobia in perpetuating gender stereotypes. They argue for new media images which fairly and accurately depict the strength and competence of female athletes.

Lynn Ryan, 35, is a tough-minded single mother of five. After help from employment counsellors and a course in welding, she got off welfare for a good job as an apprentice engineer in a Vancouver shipyard.

In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.

Laila Paattinen is a working woman. Tired of low-paying jobs, she completed a five-month course in dry-wall installation. Because she had chosen a non-traditional job for women, she ran into resistance in the marketplace. She finally solved her problems by opening her own dry-wall application business. A useful film for women seeking non-traditional jobs.

BRIDE KIDNAPPING documents in harrowing detail four such abductions, from the violent seizures on city streets and the tearful protests of the women, who are physically restrained and persuaded to accept their fate by the women of the groom's family, to the often tense negotiations between the respective families, and either the eventual acquiescence or continued refusal of the young women.

This film explores the complexity of female infanticide in southern India and shows steps that are being taken to eradicate the practice. Every year in India thousands of baby girls are killed. Partly because of the dowry system which makes a daughter a liability to a family. In a country where being a woman means living a life of hardship, the murder of female infants may be seen by the mothers as being a humane solution. URISE, a non-governmental agency, is working in the villages to promote the idea among women that female children are equal in the eyes of the law and can be an asset in the family, setting up associations called sanghams to support pregnant women and mothers in their decision to keep their daughters. When a girl is born, the sanghams celebrates her arrival with gifts, showing that a girl is something to be valued. This sensitive film does not dwell on the horrors of the practice. Rather, it allows the women to speak for themselves showing how they can be empowered.

"Nû Jîn", New Life, with the slogan ' Woman is life. Life is resistance and resistance is Kobanê', depicts the daily life of women guerillas, Elif Kobanê (18), Vîyan Peyman and Arjîn, joining in the Women's Protection Units (YPJ) in their battle against ISIS. The documentary relates the ISIS assault of 15 September 2014 and the five-month resistance by the YPJ and People's Defense Units (YPG) through the lens of three women fighter