Pretend You're Wearing a Barrel

This first co-production between the GDR and Great Britain is intended to contribute to an understanding of the situation and attitudes of millions of working people in opposing social orders. Using the example of shipyard workers, fishermen, the brigade and family of a trade union active cook and unemployed person of various ages and professions in Newcastle on the one hand and a brigade of crane operators of the Warnowwerft and fishermen of the Warnemünde cooperative on the other hand, insights into the way of life and attitudes of people of our time are to be conveyed.

This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.

Made in 1957, this film glamorizes a service job in which minor emergencies appear as serious and absorbing challenges. Marriage is assumed to be the natural end of the middle-class woman's working life. No. 97 in the Eye Witness film series.

Laila Paattinen is a working woman. Tired of low-paying jobs, she completed a five-month course in dry-wall installation. Because she had chosen a non-traditional job for women, she ran into resistance in the marketplace. She finally solved her problems by opening her own dry-wall application business. A useful film for women seeking non-traditional jobs.

Three months before the 2019 World Cup, the U.S. Women’s National Soccer Team filed a gender discrimination lawsuit against the United States Soccer Federation. At the center of this no-holds-barred account are the players themselves–Megan Rapinoe, Jessica McDonald, Becky Sauerbrunn, Kelley O'Hara and others–who share their stories of courage and resiliency as they take on the biggest fight for women's rights since Title IX.

Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.

For decades in Toledo, Ohio, Lott Industries has excelled at manufacturing small car parts. All 1,200 Lott employees have developmental disabilities, yet the company competes with traditional non-disabled businesses and achieves the highest quality ratings. When the US auto industry crisis hits, however, Lott's market is wiped out and president Joan Browne has 12 months to reinvent or close the doors. For the workers, the stakes are even higher since their jobs are a refuge, not only from the impoverishment that affects the majority of America's disabled, but from social isolation. For employees Kevin, Wanda and T.J., work is more than just a direly needed paycheck, it's a lifeline, a symbol of their dignity, and their dreams made real. The race to find a new business plan drives this engrossing recession economy drama, but it's the humanity the film restores to the balance sheet that makes A Whole Lott More such a rare achievement. Written by Myrocia Watamaniuk

When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.

North Philadelphia, PA – Kev, El and Andy are three men united by one struggle: they are trying to defy gravity. As part of the 700,000 prisoners released into society every year, they find themselves faced with a chilling outlook: 67% of ex-offenders re-offend within three years. What explains this invisible force that keeps former inmates in a seemingly unending cycle of incarceration? Filmed on the street over the course of two years, Pull of Gravity is an intimate portrait of these three men that confronts head-on the gritty details of lives cut short by poverty and drugs, where dealing is seen as the only route to economic prosperity, where using offers an escape from powerlessness, and where prison is too often the next stop. The film’s unfiltered lense captures its subjects as they lay bare their stories, fears, and tentative dreams.

Sassnitz is a small coastal town at the Baltic Sea on the Island of Rügen. In its vicinity are the world-famous chalk cliffs, a tourist magnet. The Mukran Port is also part of the municipality. The overseas port is the starting point for the construction of Nord Stream 2, a natural gas pipeline that connects Germany directly with Russia. In 2020, the port town hit the international headlines. Even the New York Times reported and cited Mayor Frank Kracht as a staunch opponent from the northeast German province against the rumbling America of Donald Trump. The reason is the undisguised threat from Washington to ruin the international port economically if the natural gas pipeline continues to be built from there. Many jobs and the region's economic stability are at risk. Reporter Klaus Scherer documents the case, questions experts as well as those affected and looks at the behavior of national politicians towards the USA and how they react to the interference in internal affairs.

The documentary by Mari Soppela focuses on glass ceilings, a metaphor for the invisible borders between men and women in work life. Talk about glass ceilings is usually associated with women’s opportunities to advance to well paid managerial positions, but the documentary connects itself more broadly to the structural problems of work life from women’s perspective. Glass ceilings are long trials about equal pay, having to continually prove one’s skills, and 85-cent euros. The topic cannot be handled without intersectional crossings: what are invisible glass ceilings for some, are solid concrete for others.

This Business Of Autism is an expository documentary film about the economic and societal benefits of employing young adults with autism. The film addresses the positive impacts of developing profitable businesses while leveraging the unique capabilities of adults with autism, at the crossroads of government programs, corporate social responsibility, entrepreneurship, and family.

Karen Zaitchik jumps on and off moving boxcars, throws switches, pulls brakes and uncouples freights with ease and confidence. She's a railroader for CN and that's what this 21-year-old highly individualistic woman wants out of life for the moment. This colourful short film shows how Karen manages in the traditionally male world of the railroad.

A documentary look at striking workers in a textile plant in Besançon, France, centering on interviews with workers about their motivations for becoming involved with the union and the struggles of their day to day life.

An introduction to the employment picture in Canada in the late 1950s, designed to inform potential immigrants of job opportunities existing for women. The film reviews many fields of work in which women are engaged, ranging from the highly specialized to the unskilled, and shows much of it being performed by women who have come to Canada from many different lands. Placement services and information services established to help newly arrived immigrants are shown in operation. Viewed from a modern perspective, the greater part of the film accepts as normal the waste of women's talents in repetitive or service jobs while elevating this work to the status of a career. Currently distributed only in 13-minute abridged form.