Manchmal möchte man fliegen

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

Ahead of releasing 'Idols', his most personal album to date, and before anyone had heard a note, Yungblud and his touring family travelled to Berlin, where he would perform and record these brand new songs live for the very first time. A personal journey of change, confidence and rock-and-roll chaos, set against a city that has always celebrated counterculture and creativity, this is a revealing and uncompromising documentary about a generational artist finding his own voice.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

This film undertakes a journey into the amazing parallel universe of East Berlin’s fashion designers and experts in the art of survival. For, in the midst of the constraints of life in the GDR, there existed a fantasy world where it was possible to dance to another tune, be individual and even provocative. The most important characteristic of this bohemian scene was one’s per- sonal style. But this certainly wasn’t something that could be bought off the peg in the GDR. In this parallel universe it was up to you to create your own individual image – with your own hands. This film tells the story of the desires, the passion and the dreams that were tried and tested, lived and performed in the shadow of the Berlin Wall.

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Music as a counter-project to a bourgeois existence: Musicians, club and label operators, record store owners and other music lovers talk about how, despite social and economic constraints, they realize their very different, bohemian and sometimes precarious life projects on the sidelines - and always go on. Detailed essays, experience reports, portraits and interviews are dedicated to the alternative music and club scene in Berlin and Hamburg.

This documentary explores the creation of the Holocaust Memorial in Berlin as designed by architect Peter Eisenman. Reaction of the German public to the completed memorial is also shown.

The story of Florida gymnast Daiana Casella, who, along with her family and teacher, overcame the obstacles that Down syndrome could put in her way. In addition to her training and preparation for future competitions, Daiana works as an artistic gymnastics teacher for a large number of children with whom she maintains a very special relationship. During the making of the film, Daiana is training for the Berlin 2023 Special Olympics, an event that will conclude her athletic career at the Olympic and world levels.

The intricate history of UFA, a film production company founded in 1917 that has survived the Weimar Republic, the Nazi regime, the Adenauer era and the many and tumultuous events of contemporary Germany, and has always been the epicenter of the German film industry.

In today's climate debate, there is only one factor that cannot be calculated in climate models - humans. How can we nevertheless understand our role in the climate system and manage the crisis? Climate change is a complex global problem. Increasingly extreme weather events, rising sea levels, and more difficult living conditions - including for us humans - are already the order of the day. Global society has never faced such a complex challenge. For young people in particular, the frightening climate scenarios will be a reality in the future. For the global south, it is already today. To overcome this crisis, different perspectives are needed. "THE UNPREDICTABLE FACTOR" goes back to the origins of the German environmental movement, accompanies today's activists in the Rhineland in their fight against the coal industry and gives a voice to scientists from climate research, ethnology and psychology.

Documentary examines the history and evolution of the Olympic Games, taking a close look at the Olympic charter, oath and ideals. Also featured are rare home movies and interviews with Olympic athletes and the oldest known color footage of the Olympic Games from Berlin in 1936.

The documentary accompanies a group of soccer fans twice on a train ride to a soccer match - first in 1991 and then again in 2006. Have the fans learned something or are they still hooligans?