Spirit of the Games

Pushing the limits of the human race: that is what runners aspire to when they take to the Olympic 100-meter track every four years. But for Usain Bolt, the record holder for the distance with his explosive 9.58 seconds, to become the fastest sprinter in history, crossing the finish line at some 44 km/h, it took more than a century of technical refinement. From the early days of sprinting to Usain Bolt's records, directors Jean-Christophe Rosé and Benoît Heimermann trace the history of the 100 meters, the flagship event of the Olympic Games, and its champions.

Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.

Having stood on the gold medal podium a record 8 times during one Olympic Games, Michael Phelps now stands alone as the the greatest Olympic champion in history. With exclusive interviews and commentary, Michael takes us on his personal journey to Olympic stardom. Includes all his races and special behind-the-scenes footage.

100m Olympic champion Linford Christie is one of Britain’s most successful athletes. Now, he’s confronting his complicated legacy, in a story about race, respect and reputation.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

In August 1936, the Olympic Games, orchestrated by Joseph Goebbels, the Third Reich's Minister of Propaganda, took place in Berlin. This was a vast charm offensive designed to present Germany as a nation that respected the Olympic principles of equality and fraternity. This documentary reveals the political strategies of the Third Reich, which benefited from the complicity of the International Olympic Committee in thwarting calls for a boycott by several countries. Once the games were over, Nazi policy intensified. How could the civilized world turn a blind eye to this "great illusion"? Gretel Bergmann, the German Jewish athlete at the center of a bargaining chip between the German authorities and the US government, and Noël Vandernotte, who won a bronze medal in rowing, share their stories.

Like an indelible memory, this Olympic closing ceremony will be marked by audacity, fraternity and emotion. In the heart of the Stade de France, athletes from all over the world will represent their countries one last time in an incredible moment of celebration and sharing. With their eyes riveted to the flame, the emotion will be immense as we close the great Olympic book of Paris 2024.

Ahead of releasing 'Idols', his most personal album to date, and before anyone had heard a note, Yungblud and his touring family travelled to Berlin, where he would perform and record these brand new songs live for the very first time. A personal journey of change, confidence and rock-and-roll chaos, set against a city that has always celebrated counterculture and creativity, this is a revealing and uncompromising documentary about a generational artist finding his own voice.

Live coverage of the opening ceremony of the 1996 Summer Olympics which took place in the evening on Friday 19 July in the Centennial Olympic Stadium, Atlanta, United States.

While investigating the furtive world of illegal doping in sports, director Bryan Fogel connects with renegade Russian scientist Dr. Grigory Rodchenkov—a pillar of his country’s “anti-doping” program. Over dozens of Skype calls, urine samples, and badly administered hormone injections, Fogel and Rodchenkov grow closer despite shocking allegations that place Rodchenkov at the center of Russia’s state-sponsored Olympic doping program.

The moment where American sprinters Tommie Smith and John Carlos raised their gloved hands in defiance on the podium at the 1968 Mexico City Olympics is one of the most memorable images in sports history. But there is a third man in the photo, the white Australian who finished second to Smith and ahead of Carlos in the 200 meters. His name is Peter Norman, and he stands in quiet solidarity with them. Norman’s story is retold in this film with passion and perspective.

The film accompanies Jenny Gröllmann, a German actress, during the last two years of her life.

Tom Daley came to national and international prominence when he won the Men's 10 metre platform diving European championship in 2008, at the age of 13, and came 7th in the individual competition and 8th in the synchro competition at the Beijing Olympics. In the summer of 2009, aged 15, he won the World Championships, and this documentary followed him through the 2010 diving season.

A film about three teenagers - Klara, Mina and Tanutscha - from the Berlin district of Kreuzberg. The trio have known each other since Kindergarten and have plenty in common. The three 15-year-olds are the best of friends; they are spending the summer at Prinzenbad, a large open-air swimming pool at the heart of the district where they live. They're feeling pretty grown up, and are convinced they've now left their childhood behind.

The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell. Its low ceilings, industrial decor and generally unhinged atmosphere created an unprecedented platform not only for techno in Berlin, but also for the scene taking shape across the Atlantic in Detroit.