Souvenir

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A strait-laced French student moves into an apartment in Barcelona with a cast of six other characters from all over Europe. Together, they speak the international language of love and friendship.

A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.

New Year's Eve, the last hours of the year 1999. Kevin wants to lose his virginity, he had his chances before, but it just didn't happen. Will tonight be the night?

Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.

At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.

While visiting his dad for the weekend, Sam discovers that his grandfather was a touring vaudeville performer. Acting out, because his dad is too busy to notice, Sam steals his dad's camera and, together with his friends, makes a film in an effort to gain his dad's attention.

Lester Wink, a door-to-door pet insurance salesman with a phobia of talking with strangers, must make a sale by 5pm, or get fired. He meets Sammy, a widow who is afraid to leave her house, and a friendship is born.

Rachel can't stop herself from falling in love with Paulie, the woman who helps her try on wedding gowns.

Hannah returns home to face her dysfunctional and emotionally-repressed family after her attempted suicide. Her journey towards healing intertwines with the humorous clashes and unique bonds within the family.

When the Birch brothers inherit a failing funeral home from their decaying father, they must resort to unsavory means to save the family legacy.

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A predatory cat and the mouse he's chasing become temporary friends after the mouse takes refuge in a barrel full of pickled herrings and the cat becomes intoxicated by the fumes.

Created by Noburo Ofuji, who had been cartoon making since the 1920s, often with decorative paper cutouts. The character animation looks like it was done 15 years before, but a lot of the elements are highly original; design (those trees!), use of camera focus. Heavily musical in a manner that recalls animation's earliest use of sound. The lesson here is: "If you can't count on your friends, travel alone".