Death by Pollution

The autobiographical account of the tormented life of a witness of the century: Louisa Ighilahriz, activist and leading figure in Algerian independence. A student, she joined the independence struggle at the age of 20, joining the ranks of the FLN on the eve of the Battle of Algiers in late 1956 under the name Lila. She took part in the high school students' strike, then fled into the maquis when she was actively sought after. She was part of the French FLN support network of "suitcase carriers" during the Battle of Algiers. Seriously wounded alongside her network leader, Saïd Bakel, during an ambush in 1957, hospitalized and then imprisoned, she suffered numerous tortures in French prisons. She will be saved from certain death by an anonymous person, she will seek, for forty years, to find him just to show him her gratitude... Emblematic of the painful Franco-Algerian history, Louisa's story is poignant and imbued with humanism.

Those who do not know the Sahara think there is only sand in the desert. But in the desert there are children who play and draw and make movies, and who would like to not have to think about the war. In the desert there's a European colony, an occupied country called Western Sahara, where there are thousands of Sahrawi refugees living a hard life in exile. "Little Sahara" tells their story, the story of a supportive, resilient people who try to thrive and grow in the Hamada, where everything has a hard time growing.

Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.

In the panorama of Kurdish music, Koma Berxwedan (Group Resistance) is one of the most interesting, innovative, experimental groups. To a deep love for music research the group has always associated a strong political commitment. Some of its members have joined the PKK guerrillas in the mountains of Kurdistan. Three of them died in combat. Some have been forced to live in exile and others continued to challenge the Turkish authorities by carrying out their work in Kurdistan.

In the silence and darkness of a trembling mountain, we discover the underground world through the eyes of a boy, an old miner and a woman. Where sweat mixes with the blood of history, a story emerges about colonial heritage and the endless cycle of exploitation.

Wangala is a short documentary about women's resistance to the Moroccan occupation. Samira was born in the camps, in the middle of the desert, the only place that was given to them after the arrival of the invader. Through the concepts of torture, refuge and exile, we try to create a mosaic of experiences that explain the current situation of Sahrawi refugees in the camps, in exile and in the occupied territory.

An international team of 4 friends undertake the Plymouth to Dakar Challenge a ‘banger rally’ which annually shadows the route of the Paris Dakar Rally. They acquire two old Mercedes vans and take a 3 week route through Spain, Morocco, Western Sahara, Mauritania, Senegal and Gambia. They arrange to transport prosthetic limbs for a Bristol based charity to a clinic in Gambia providing help to amputees. Interviewing a number of experts on the 30 year conflict between Morocco and the Saharawi natives, they arrange to meet with Saharawi ‘dissidents’ in the Western Sahara to expose their oppression by Moroccan authorities who they claim are occupying their land and profiting from their national resources.

Jesus 'Chuy' Aceves and a dozen living members of his extended family suffer from the very rare condition of congenital hypertrichosis, meaning they were born with excessive hair on their faces and bodies. Due to their appearance, they suffer from discrimination in all areas of their lives: the children are made fun of at school and abandoned by their 'non-hairy' parents, and the adults cannot find work unless they choose to exhibit themselves as freaks in circuses. This moving and visually arresting documentary is a portrait of Chuy and his family members. It examines their day-to-day lives and their struggle to find love, acceptance and employment.

Deep beneath the surface in the Syrian province of Ghouta, a group of female doctors have established an underground field hospital. Under the supervision of paediatrician Dr. Amani and her staff of doctors and nurses, hope is restored for some of the thousands of children and civilian victims of the ruthless Syrian civil war.

In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

A story of the LGBT struggle from the 1960s to the present, after the Stonewall riot sparked the militant action in New York that was to spread around the world. From San Francisco to Paris via Amsterdam, between the first Gay Pride, the election of Harvey Milk, the French "decriminalization", the AIDS epidemic and the first homosexual marriages, these few decades of struggle are embodied through numerous testimonies of actors and actresses of this revolution rainbow.

A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.

The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.