Guiné

In a financially troubled farm in the 1930's, its depraved owners become attracted to their new handsome and young handyman.

Yariv is a shy photographer charged to take photos at a family birthday. The photographs he takes highlight his problematic relationship with his brother, and increasingly intertwine to his extreme sexual experiences at the gay sauna.

Bruno, a misunderstood teenager, has developed an obsession with burning objects, recording them, and uploading videos to the internet to deal with his father’s death. When his lonely mother starts dating another man, Bruno escapes from home. He goes to another town to live with Daniela, a young pyromaniac he met online and with whom he has an epistolary relationship. During the painful separation from his mother and his best friend Ian, he begins to question his sexuality and capacity to overcome his father’s loss.

Science fiction about a future Thailand. Futuristic, experimental, homo-erotic and with elements of a political essay. With a richness of themes and impressions that wouldn't get past the censor in Thailand. The maker doesn't mince his words and isn't afraid to look reality in the eye.

A boy who gets frustrated in love meets another boy who loses all of his memories and they find some ways to start a new life together.

Ten years old Cemil runs away from his stepfather who tortures him and his mother and ends up in Istanbul. Veli Firat Tanis, the leader of a gang which Cemil takes refuge in Haydarpasa, tries to send him back to his home by putting his pocket money. While the gang gather money for Cemil, they, at the same time, suffer from harsh living conditions. In the mean time Cemil's mother Münevver comes to Istanbul in the hope of finding her son.

In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix mother finds out and Ralph has to decide between feeling and reason.

Nina, a mentally ill teenage orphan, starts a new job as a garden cleaner when she meets Toni. They fall in love but soon Toni starts betraying Nina. Meanwhile, Francoise is picked up at a Berlin psychiatric hospital by her husband, Pierre. After spotting Nina, Francoise believes that she has found her kidnapped daughter Marie, but no one believes her.

Feast your eyes on a second volume of short stories set in South America that explore growing pains, first loves, political upheaval, gay parenting and coming out. The 6 short films are: Seat Belt [Cinturón de seguridad] (2018); Before It's Too Late [Antes Que Seja Tarde] (2019); Ajar [Entreabierto] (2018); Guacho (2018); The Grey Zones [Las zonas grises] (2019); Orizaba's Peak [Pico de Orizaba] (2017).

During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”