The Brand of Cowardice

The Mutiny of the Bounty is a 1916 Australian-New Zealand silent film directed by Raymond Longford about the mutiny aboard HMS Bounty. It is the first known cinematic dramatization of this story and is considered a lost film. Longford claimed it was the first Australian film to shoot scenes at sea.

Jeanette Arden dies giving birth to her daughter Autumn, and Jeanette's husband George, who had gone for a doctor, receives a head wound. The injury makes him lose his memory, and so Autumn is raised by her godfather. Many years pass, and Royal Mounted Policeman Dick Leslie is assigned to locate George. Dick meets Autumn, who also comes to the attention of the gambler, Diamond Jack.

The TARDIS crew lands in the Himalayas of Cathay in 1289, their ship badly damaged, and are picked up by Marco Polo's caravan on its way along the fabled Silk Road to see the Emperor Kublai Khan. The story concerns the Doctor and his companions' attempts to thwart the machinations of Tegana, who attempts to sabotage the caravan along its travels through the Pamir Plateau and across the treacherous Gobi Desert, and ultimately to assassinate Kublai Khan in Peking, at the height of his imperial power.

The TARDIS materialises not far from Paris in 1794 — one of the bloodiest years following the French Revolution of 1789. The travellers become involved with an escape chain rescuing prisoners from the guillotine and get caught up in the machinations of an English undercover spy, James Stirling — alias Lemaitre, governor of the Conciergerie prison.

Refusing to marry her stepmother's choice, Gail Prim leaves her life of luxury, after cutting her hair, dressing in her butler's clothes and stealing money and jewels from her father's safe. Spending the night in a barn, she introduces herself to the thieves already there as the Oskaloosa Kid, a wanted criminal, and barely escapes their struggle to get her loot. Meanwhile, the real Oskaloosa Kid kills Reginald Paynter and throws Nettie Penning, whom Reginald was trying to seduce, onto the highway.

A son tries to overturn the disgrace of his father, who committed suicide.

A picture of the great outdoors, peppered with the thrills that dreams are made of.

In the wild, hardly explored mountains of Kurdish country lives the mysterious society of the Jesidi , who are called the devil worshipers by their opponents. In these mountains, shaded by dark fir trees, revenge and hatred reign and constant struggle between the countless races and sects. Strange festivals unite the fervor of thousands, crowned by the dramatic sacrificial death of one of their holy men. And yet, even in these pictures, which are filled with tremendous passion, there is no lack of warm humor and a cheerful, strong forgiving nature that leads everything to a liberating end. The film is believed to be lost.

A reporter and a detective team up to solve the murder of a nightclub singer who had been involved in a divorce scandal.

Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.

An American adventure film serial comprised of fifteen episodes of two reels (24 min) each. All chapters are presumed lost.

A criminologist and a government agent team up to expose a ring of German spies.

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

A mechanic works for his sweetheart's father, who builds racing boats. He begs for and gets the chance to race a new-design boat, but his rival gets him intoxicated before the race and he wrecks the boat. Now he has to make good and show he has the right stuff.

Daisy Smith (Marceline Day), a floater and non-desirable citizen in most societies, seeks refuge on a tropical island in the South Seas. She meets Jim Curtis (Don Alvarado), another society-outcast and a piece of human driftwood, and a romance takes place that regenerates both and they sail back to the United States determined to start life anew.