The Suffragette Minstrels

The human pals of three apes become so attached to them that they take them to their home in the city where the apes prove too destructive to be really appreciative.

Sir James Gilbert, a British peer, wagers that he can win the love of a particular young American woman for whom he has his heart set. Disguised as a chauffeur, James shows his love to Mary Burgess, niece of his wealthy employer, John Burgess. To obtain the consent of Mary's aunt, the couple involves her in a harmless trick. A villain threatens blackmail and attempts to pass himself off as the Sir James Gilbert. After a variety of adventures, the blackmailer's schemes are defeated. The young woman's hitherto hostile relatives are surprised and pleased when, instead of a chauffeur, Mary becomes the bride of Sir Gilbert.

Quite harmless in themselves, but when Mrs. Ronald G. Saunders saw her faithless lord purchasing the innocent blossoms, she was for a divorce right away. Henceforth she would devote her life to charity. The fond one on whom the flowers were bestowed cast them forth. In her pursuit of uplifting the lowly, Mrs. Saunders found them, and the monster husband was at once transformed into a dear, kind, good one.

Maud March, the rebellious daughter of a millionaire, goes to New York to see her sweetheart Geoffrey who left town years ago. Her aunt Carolyn wants Maud to marry her son Reggie and sends the Maud's brother Percy after her to act as chaperone. Maud, trying to escape, enters a taxi where she meets handsome composer George Bevan. The man falls in love with the young lady who, when she sees how Geoffrey has changed, soon agrees to marry George.

Behold in this film the villain up to his dirty work again, but if you watch the persistent young hero carefully, you will see him gallantly rescue the lady in black about to be burned at the stake, while at the same time he saved the fair heroine from the mad ambition of her father about to marry her to the dastardly ex-governor of Utah.

A cruel sea captain shanghais Jimmie to work on his ship, but Jimmie's girlfriend also stows away on board, disguised as a sailor.

An aviator who crash landed on an island in the South Pacific returns home to find that he is the last fertile man left on Earth after an epidemic of masculitus.

Al attempts to sneak inside the studio to keep a date with an actress. He finally exchanges places with a dummy and lands within the walls of the studio, finds the girl and is promptly thrown out when he spoils several scenes and nearly causes a riot.

A tramp overhears a rancher's plans to go to town for the ranch's payroll. He tries to enlist another loafer (the Knight) to help with a robbery. Instead, the Knight helps thwart the robbery.

Sight unseen, a man buys a bag that turns out to contain burglar tools. He can't get rid of the bag, even when he's robbed. The thieves assume he's a colleague and return the bag and tools.

A father wants to marry his daughter to a rich man, but she's in love with someone else. She borrows a tramp's wooden leg, pretending that it's hers, and the disgusted suitor rejects her.

A husband uses a ruse to sneak back into the house after a night out.

Bob and Dick both secretly love Dorothy but are too timid to propose. Bob rehearses his proposal to Dorothy, accidentally proposing to the maid, who accepts. Dick arrives, leading to a comical standoff. The maid reveals Bob's "proposal" to the chef, who, jealous, bursts in with a knife. Dorothy, finally arriving, clarifies the misunderstanding, and Bob proposes to her, leaving Dick as best man.

It's time for all the children to go to the one-room school house. Everyone is on time, with an apple for the teacher, except one student whose goat-cart failed when the goat got tired, so he had to carry the goat. Good thing he's a strong chimpanzee.

Two young ladies, members of a dramatic stock company, are rivals for stellar honors. One seems to have had things her own way for a time, having been cast always for the leading roles, which opportunities made her the "public's pet." However, she does not wear the mantle of fame becomingly, for her success has made her petulant, peevish and selfish. On the other hand, her rival works studiously, and by her subtle art has won some attention, until during a performance of "Darkest Russia" she completely eclipses the histrionic luster of the hitherto favorite.