Brother, Can You Spare a Dime?

True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.

Documentary film interviews leading Latinos on race, identity, and achievement.

Haunted by his mysterious past, a devoted high school football coach leads a scrawny team of orphans to the state championship during the Great Depression and inspires a broken nation along the way.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

An examination of the great advances in cinematography achieved by Jack Cardiff.

Hollywood is a town of tinsel and glamour; but there is another Hollywood, a place where maverick independent exploitation filmmakers went toe to toe with the big guys and came out on top.

Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.

Based on the Depression-era bildungsroman memoir of writer A. E. Hotchner, the film follows the story of a boy struggling to survive on his own in a hotel in St. Louis after his mother is committed to a sanatorium with tuberculosis. His father, a German immigrant and traveling salesman working for the Hamilton Watch Company, is off on long trips from which the boy cannot be certain he will return.

As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.

When a small Utah-based edited movie company is caught sanitizing Hollywood's copyrighted material, the film industry strikes back with a devastating blow.

World-renowned director Martin Scorsese narrates this journey through his favorites in Italian cinema.

Phar Lap, the big bold chestnut reigned as the king of the turf in the depression that gripped Australia of the 1930s. From his humble beginnings the New Zealand bred horse raced on to become the hero of a nation.

A documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden manipulation and accumulation of gold and other forms of money.

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

Exploring the devastation of the 1930s, Lisa Jackson shapes amateur-shot archival film from a South Dakota town and audio interviews of residents who lived through the Great Depression to craft a moving and powerful allegory of contemporary financial corruption.