The Haunting Fear

Sam wakes up in a cold, metal-covered room with a long streak of blood flowing from the door. The blood trail leads to a mutilated body. The body is her boyfriend lying in the corner of the room. Obviously frightened, she still mysteriously knows where she is and whom an ominous, forceful voice on an intercom belongs to. It's her father's voice. She stays in the room as punishment, and how long until she gets out she doesn't know. Hours become days. Days become weeks. In the room, Sam finds solace in talking to her nine-year-old sister through a latch built into the bottom of the room's door. This keeps herself occupied and her mind focused to prevent reoccurring flashes she has of her late mother's death. Meanwhile, the voice gives her instructions to take white pills that put her to sleep. Sam slowly pieces together fragmented memories she has from her past, and begins to understand why she stays locked in this room, for what lies inside of her cannot be let free.

Every Tuesday, sixteen-year-old Allie stays with her dad and insists that this week will be no exception. Throughout the course of the day, she endures awkward encounters with family and friends before finally arriving at her dad’s flat where her routine is broken by the silence of an empty home.

WWI spirit raiser about the title character who enlists and comes back a new man. Final film of stage star Shelly Hull before his death in the Spanish flu epidemic.

From Wikipedia, the free encyclopedia. A Girl of the Limberlost is a 1924 American silent film, produced by Gene Stratton-Porter and directed by James Leo Meehan. It stars Gloria Grey, Emily Fitzroy, and Arthur Currier, and was released on April 28, 1924. The first adaptation of Stratton-Porter's famous novel, this silent film is considered lost.

An animated film made without the use of a camera using the technique of drawing and painting directly on a film strip, illustrating a grandfather's ballad, the protagonist of which seeks an explanation for the cruel phenomena of the world around him. Rockets thrown to the ground and bombs exploding, a car falling off a cliff, a driver driving a man on the street or a policeman firing a gun at an opponent - images of this type of catastrophic behavior are intertwined with the recurring image of a man running somewhere.

“Crime film set in Malaya concerning the pursuit of a planter framed for poisoning his partner and suspected of carrying plague.” - BFI.

Caleb, came from a rich family with extraordinary perks in almost every avenue of life, albeit sports, college or his social life. This made him attract girls from everywhere, but surprisingly, he always kept to himself. Until one day.

Upon his father’s death Jules Beaubien's is left a rich man but also one with a mission. Find his until now unknown half-sister, take her in and educate her. After investigating he discovers she has met a tragic fate after falling for a roue who had abandoned her. Swearing vengeance, he set off in a quest for justice in her name.

A struggling actress lets her desperation get the better of her with deadly consequences.

Michel is a funny boy, a kind of intellectual. With Pauline, a very beautiful girl he met on the beach, they are going to get naked and discuss surrealism, sincerely and without trickery. But who are they really?

A psychiatrist is compelled by his patient, an obsessive mathematician, to consider the existence of a secret integer between three and four.

Romance sentimentale is a 1930 French film directed by Grigori Aleksandrov and Sergei M. Eisenstein. A short, experimental, slightly poetic montage of city and abstract images.

A day at a group home for troubled adolescents. Denim is the head counselor, involved somehow with Natalia, another counselor. During the day, we watch them and other staff deal with a boy who's getting into fights though he has only a week to go before his 18th birthday, a girl whose birthday it is, a foul-mouthed lad, and others. Denim uses music to calm one youth, orients a new staff member, sneaks a marijuana cigarette during a break, and by the day's end, talks to Natalia. Do any of us have it together?

1957, Drapetsona, a working-class suburb of Piraeus. Katy feels stifled by her futile, enervating and almost ridiculous day-to-day life. An old dress becomes the pretext for the young girl to attempt what her mother dared not: to claim the right to living and not merely existing, or at least a simple stroll in the port.

Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with…a vampire?