Freedom from Despair

A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity, and the murderous federal fugitive at the center of it all.

An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.

The infamous "Memorex" tape circulated the mid-west underground scene in the mid-’90s. Shot in 1993, the film captures a transient slice of post-’80s, pre-Y2K youth culture on the eve of a new century. Following a tribe of teenage heshers and burnouts at a skate park punk show, the film is a snapshot of the stray children of the boomer generation as they navigate their anxieties on the brink of social, global, and digital upheaval. Now, on its 30th anniversary, the original VHS tape has been restored in 4K, revealing a cultural time capsule of pre-9/11 American youth; a candid documentation of a moment both electric and uncanny.

Absorbed, Unnatural, Dismal, Deface, SOK, Wisdom, Detestor ... Names linked to a very specific movement such as Death Metal and to a time and place as the Galicia from the 1990s. In this documentary, through interviews with members of that movement, from band members to producers or fanzine writers, we try to pay homage to an underground movement as Galician Death Metal along the 90s, deepening its history and its stories.

While new, monster housings are being erected, people grow a small farm in their vicinity. Soon the bulldozers come and ransack it.

Film inspired by the beauty of medieval tombstones, stećaks, scattered around the mountains of Bosnia-Herzegovina and Mak Dizdar’s poem about them. Film explores the distant past immortalized in inscriptions on these ancient tombstones.

It shows the Neretva river from its source to the shores of the Adriatic Sea. The document also captures the original four-hundred-year-old bridge in Mostar.

No Mercy, No Remorse takes viewers back to the winter of 1993, with a journey into the deeply disturbing world of Paul Charles Denyer, the then 21-year old who is currently serving three life sentences for the Frankston murders.

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

Godina was ordered to make a short film glorifying the army, but instead made a film about making love, not war. The censors hacked it up, but he managed to save one complete copy.

Is it possible for a war criminal to find forgiveness and to reconcile with the past? How do you find your way back to what is known as a normal life when you have been convicted of one of the worst crimes of all – a crime against humanity? Esad Landzo has looked for answers for many years, but in vain. He decides to make one last attempt. The Balkan War criminal travels back to Bosnia to meet his former camp-guard friend, his victims and his family. Will he ever be forgiven? Should he?

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.