The Nature of Love

Based on the novel Trilby by George du Maurier. A girl named Trilby meets Svengali, a musician and hypnotist, who claims he can turn her into a talented singer via hypnosis.

Linus is planning a birthday party. While trying out his new in-line skates in the neighborhood park, he meets a nice little girl with a beautiful singing voice. Linus invites his new friend to the party. The party should be wonderful, but Linus will only be satisfied if the little girl attends. He is completely smitten!

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

Della, a 45-year-old wanna-be, coulda-been jazz singer and her lover, Dale, a 23 year old small time criminal, are in the final stages of their dysfunctional relationship.

An elderly man's innocent friendship with an eight year old girl is tarnished by the assumptions of a community when the little girl goes missing.

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

Four tuxedo clad men show up at a penitentiary to meet a friend who has just been released after three years in prison and is going straight from the jail to marry his girlfriend. En route to the wedding, one of the men asks to stop by a bank to pick up some cash. As it turns out, he is a wanted bank robber who uses Shakespeare passages during his robberies and thus has become known as "Hamlet". Soon all five men are caught up in the bank and involved in the robbery as they end up in a hostage situation. The hostage negotiator shows up who turns out to be Hamlet's father.

A city romance meets a rural family invasion. What follows is chaos, comedy, and heartfelt moments. The story unfolds as a joyful entertainer that explores love, cultural clashes, and the importance of family bonds.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Controversial director Angela Chan explores the "La Cage Aux Folles" demi-monde that thrives in today's Hong Kong, but which has never before been portrayed in a major movie. Alex To plays a handsome fashion designer trapped in a tangle of ambiguous relationships that becomes even more complex when he falls for a beautiful D.J. (Cecilia Yip) who, with the help of her best friend (Cherie Chung), is trying to get out of an arranged marriage. This film looks and sounds like a comedy, but has some serious comments about a veiled segment of Hong Kong.

A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.