L!fe Happens

Based on the novel Trilby by George du Maurier. A girl named Trilby meets Svengali, a musician and hypnotist, who claims he can turn her into a talented singer via hypnosis.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

Della, a 45-year-old wanna-be, coulda-been jazz singer and her lover, Dale, a 23 year old small time criminal, are in the final stages of their dysfunctional relationship.

An elderly man's innocent friendship with an eight year old girl is tarnished by the assumptions of a community when the little girl goes missing.

The marriage of mutual friends reunites former college roommates Bob and Brendan, who tried to ignore the sexual tension that always flowed between them. Brendan finally comes out to Bob at the reception, but is it a case of too little, too late?

A Jewish man discovers his boyfriend of 10 years has been cheating on him, and decides to embark on a dating spree.

Kenneth Bianchi, one of the two serial rapists and killers who terrorized the Los Angeles area in the late 1970s, is giving police station interviews to psychiatrist Samantha Stone, who has disquieting lifestyle issues of her own. It falls to her to delve into the details of the case to determine the veracity of Bianchi's claims of multiple personality disorder, but in so doing, she is forced to relive the horrific crimes, one of which occurs at her very doorstep.

Tom, greeting-card writer and hopeless romantic, is caught completely off-guard when his girlfriend, Summer, suddenly dumps him. He reflects on their 500 days together to try to figure out where their love affair went sour, and in doing so, Tom rediscovers his true passions in life.

Flavia is a thirtysomething married teacher. She has suppressed the memory of her adolescent lesbian fling with Jin and is stuck in a stifling marriage. A chance encounter in a supermarket with the playful and seductive singer Yip reawakens dormant feelings and she begins to think back on her teenage affair with Jin.

Four tuxedo clad men show up at a penitentiary to meet a friend who has just been released after three years in prison and is going straight from the jail to marry his girlfriend. En route to the wedding, one of the men asks to stop by a bank to pick up some cash. As it turns out, he is a wanted bank robber who uses Shakespeare passages during his robberies and thus has become known as "Hamlet". Soon all five men are caught up in the bank and involved in the robbery as they end up in a hostage situation. The hostage negotiator shows up who turns out to be Hamlet's father.

A city romance meets a rural family invasion. What follows is chaos, comedy, and heartfelt moments. The story unfolds as a joyful entertainer that explores love, cultural clashes, and the importance of family bonds.

After librarian Isolde attempts suicide, she leaves her politician husband for a younger student with a dark past. Isolde's former husband, however, has something else in mind for the young man.

Written, directed, and self-financed by Juleen Compton, The Plastic Dome of Norma Jean is the story of a clairvoyant teenage girl, Norma Jean (Sharon Henesy), taken advantage of by a boy band, fashioned after The Beatles, determined to exploit the young woman's powers as part of a hoax revival.

Compton's first feature was the autobiographical Stranded, which she wrote, directed, starred in, self-financed and distributed. Released in 1965, the film shares the cinematic experimentation and stylish, youth-centric rebellion of the French New Wave made even more radical by its progressive portrayals of female independence and sexuality, beatnik culture, and discussions of homosexuality. Stranded follows Raina, a young American woman (played by Compton), traveling through Greece with her American lover (Gary Collins), and her French, gay, best friend (Gian Pietro Calasso). Raina partakes in several love affairs rejecting marriage offers for no other reason than she likes her life the way it is. Made just prior to the arrival of second wave feminism, Compton, as writer-director, never judges her on-screen alter-ego the way similar female characters were frequently punished in other films during this era by stigmatizing female sexuality.

At a discreet host bar in Los Angeles, Kyeong uses his talent and charm to create the illusion of love for the women who hire him. When a new client pays him for a “2nd round,” Kyeong discovers too late that behind her kindly demeanor lies a disturbing request.