Black Emanuelle 2

After the death of Victor Frankenstein, two figures vie for control of his monster and the radical technology that created him: the scientist's daughter, and an immortal wizard assisted by a blind bird-woman with an unquenchable thirst for blood.

Moira Frankenstein, the grand-daughter of noted mad scientist Dr. Frankenstein, has become obsessed with the work of her ancestor and she decides to pick up the family business where he left off.

Dr. Victor Frankenstein creates a monster to show his scientific theories, but soon leaves him. So the scientist tries to rebuild his life getting married with Janet, and retires to his castle with Igor. However the monster comes back to haunt Frankenstein, and so Victor finds out that the monster has ferocious sexual orientation to Janet. Frankenstein then calls the servant Igor to readjust the monster, but also Igor takes advantage of Janet...

In the 26th century the inhabitants of Utopia have so lost their individuality, which varies in number. They live in glass houses (this was written before the invention of television), which allows the political police, called “Keepers” can easily supervise them. They all wear the same uniform and usually turn to each other or as a ”cipher-so” or "UNIFEM" (uniform). They feed on artificial food and rest hour marching in fours in a row the anthem of the One State, pouring out of the loudspeakers. As they are allowed to put a break on the hour (known as the ”sexy time“), draw the curtains of their glass houses. At the head of the One State is one called The Benefactor, which are replaced every year the whole population, usually unanimously. The guiding principle of the State is that happiness and freedom are incompatible.

Stud's world revolves entirely around sex, sex, and more sex — an interest he shares with his way-out friends and his girl Kitty, who likes her men mean and muscular!

Self-absorbed and stressed-out yuppie Robert is so caught up with his thankless office job that he neglects his lovely young wife Doris. The sad, unhappy, and frustrated Doris seeks some form of relief and sexual fulfillment from both a lusty lady ghost and two equally voracious female demons.

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?

The luxury liner Titanic 2000 has set sail on its maiden voyage, and one of the passengers is the vampire Vladamina. Vladamina is searching for a woman she can turn into a vampire queen, and frustrated rock groupie Shari looks to be a perfect target. As various people get seduced and/or killed as the liner continues on its doomed voyage, Shari must chose between eternity as a living dead sex slave or a frigid grave at the bottom of the ocean.

José Luis has a cushy corporate job at the lingerie factory his mom owns. After he falls in love and proposes to Silvia, a beautiful laborer on the underwear assembly line, his mom enlists Raul, a potential underwear model and would-be bullfighter, to seduce Silvia.

The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion...

Two strangers bump into each other on the street, triggering a series of events which lead to a jarring confrontation with reality.

Los Angeles, 1928. When single mother Christine Collins leaves for work, her son vanishes without a trace. Five months later, the police reunite mother and son. But when Christine suspects that the boy returned to her isn't her child, her quest for truth exposes a world of corruption.

Isabell runs a nursing home for wealthy women who are trying to detox from their various obsessions. Her lover, Serge Belaiev, a petty gangster, has pulled off a big hit but his partners have denounced him to the police in order to appropriate his share of the loot. Isabelle takes him in and hides him in an attic of this strange house. In love with Isabelle, Philippe Lansac, the owner of the place, decides to close the castle...

In 1955, Kroger Babb illegally acquired and distributed Ingmar Bergman's Summer with Monika (1953) in the U.S., making some major changes to apply it to the exploitation market. He renamed the film to Monika, the Story of a Bad Girl!, cut it down to 64 minutes, dubbed it over with English voices, and added a melodramatic score by Les Baxter. One scene can be found that was censored from the original cut of Bergman's film.

A young Argentinian reporter is writing an article about snuff films - which depict real torture, rape and murder of people. But seeking the films and those behind them might backfire. She herself is in danger of becoming one of the suffering.