Rossini: L'inganno felice - Teatro Fraschini di Pavia

Behind the Hollywood Bowl stage which is playing the opera The Barber of Seville, Bugs Bunny flees into the backstage area with Elmer Fudd in close pursuit. Seeing his opportunity to fight on his terms, Bugs raises the curtain on Elmer, trapping him on stage. As the orchestra begins playing, Bugs comes into play as the barber who is going to make sure that Elmer is going to get a grooming he will never forget.

Isabella is a strong, independent woman who has no intention of giving in to the clumsy advances of the powerful Mustafà. In this production by Mosh Leiser and Patrice Caurier, which plays on preconceptions about culture clash, Mustafà is no longer a handsome Ottoman, but a shady gangster who traffics in electronic goods in the port of Algiers. Make of it what you will...

Tom, famous baritone Signor Thomasino Catti-Cazzaza, enthralls a concert audience with his rendition of "Largo al factotum", from Rossini's "Il Barbiere di Siviglia", while Jerry strives for sleep under the stage.

A silent black-and-white comedy inspired by the fizzing rollercoaster of Largo al factotum - the familiar aria from Rossini's The Barber of Seville - featuring the young apprentice hero and a recalcitrant, increasingly monstrous hairball.

Live performance, Festival d'Aix-en-Provence, July 2006. 'L'italiana in Algeri' (English: 'The Italian Girl in Algiers') is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.

Figaro uses every trick he can muster to outwit Dr Bartolo and ensure his master wins his chosen bride. He meets his match in the would-be-bride Rosina, who has schemes of her own. Glyndebourne favourite Danielle de Niese adds the crafty Rosina to her growing list of bel canto heroines. Directed by Annabel Arden with playful energy springing from Rossini’s joyous music, this new production heralds the welcome return of a masterpiece not seen at Glyndebourne Festival since 1982.

While Roboco is having fun showing off her signature knee impersonations in a nearby vacant lot, Bondo notices something and turns around. Not only does he sense that something unusual is about to happen, he also sees Roboco as if she is enveloping him and the others...!?

Yoko Takahashi's directorial debut.

The tender and supporting relationship between a young woman and her gay husband, in WW2.

A self-conscious realtor develops a transformative obsession when she falls for a mechanic who vapes.

Three years ago Ariane left Antoine, sending him a postcard announcing her departure for the mountains with a certain Alexandre. After a long journey abroad, Antoine returns to the site of his former relationship, where he meets Alfred, recently abandoned by Ariane.

A funny remake of "The Prisoner" - with a 1980's twist to it 'The Laughing Prisoner' is a remake (or homage) of (to) the Kafkaesque 1960's television show 'The Prisoner' with Patrick McGoohan in the lead role. This time it is a successful television presenter (Jools Holland) who decides to quit at the height of his stardom. He is abducted from his apartment and brought to the village, where number 2 (a young Stephen Fry) is questioning him. The whole show has a cosy 1980's feel to it, with several bands from that period performing their music.

The first of what became a popular genre of wartime 'film-concerts', consisting of eight musical numbers, strung together by a loose plot. It shows soldiers leaving their village for the front; in their absence, the desolate but resolute young women of the village assume responsibility for the business of the farm