Green Jail

The greatest taboo of the Battle of Okinawa were Guerrilla units composed of boy soldiers. Until now, not even the Japanese people knew the full scope of these secret troops, and survivors have been afraid to share their tragic details. Okinawa became the bulwark to protect the Japanese mainland toward the end of World War II. After the Americans landed, a violent battle ensued resulting in the loss of over 200,000 lives – many of them civilian. This documentary uncovers Japan’s deepest secrets concerning the Battle of Okinawa, and also sounds alarms about modern Japan’s recent steps toward remilitarization.

An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.

Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.

In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.

During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.

By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.

84-year-old Maura is the guardian of a very particular tradition in danger of extinction. She is a singer of amorfinos, verses full of humor that will disappear forever with her departure.

About an elderly woman in a country house, spending time with her only companion, a goat.

Every year since 2011, a unique beauty contest has been taking place in Haifa. The contestants are female survivors of the Holocaust. In the midst of this flashy spectacle, their personal traumas remain as deep as ever. There are many things about this contest that are controversial: it is organized by the right Zionist organization, the International Christian Embassy Jerusalem, and the dubious contest itself rises the public indignation of various speakers, including other survivors.

An intimate portrait of fishing as a refuge and companion, where bonds and absences intertwine with the river. Norma Alonso reveals how, despite time, memory endures beyond the last hook.

Coal miners are dying from the resurgence of an epidemic that could have been prevented. FRONTLINE and NPR’s joint investigation revealed the biggest disease clusters ever documented, and how the industry and the government failed to protect miners.

Acclaimed documentarian John Walker catches the legendary Cape Breton Miner’s singing group The Men of the Deeps just as the last mines on the island are shut down. Featuring ravishing cinematography of Cape Breton, and plenty of music, Men of the Deeps is a deeply touching portrait of a culture that still survives despite the ultimate end of an industry, and a tribute to the men and the songs that kept things moving on the Island for almost two hundred years.

Sien (74) leaves for her hideout on the captivating island of Vlieland. Here she recollects her memories on an old tape recorder of her turbulent life as a mother, life-drawing model, squatter and activist in Amsterdam in the sixties.

A documentary portrait of elderly women living in a Kraków nursing home, observing daily rituals, illness, and waiting, shaped by recurring symbolic images of time and decline.

Henri Storck and Joris Ivens’ landmark of social documentary, blending staged scenes with locals and on-the-spot reportage to depict the 1932 miners’ strike in Belgium’s Borinage—evictions, hunger, and police repression—transforming outrage into a call for solidarity.