Somebody I Used to Know

Clémence is pathologically jealous. Gabriel has asked her to marry him. To test whether he is faithful, unbeknownst to him she arranges that he crosses paths with beautiful Olivia...

Nina, a mentally ill teenage orphan, starts a new job as a garden cleaner when she meets Toni. They fall in love but soon Toni starts betraying Nina. Meanwhile, Francoise is picked up at a Berlin psychiatric hospital by her husband, Pierre. After spotting Nina, Francoise believes that she has found her kidnapped daughter Marie, but no one believes her.

Mehdi is a hopeless romantic. But he’s too uptight according to his best friend, Olive, who urges him to loosen up and have some fun with gay dating apps.

Karim, 30, drives every night. One day at dawn, he drives his last client - a foreign artist, the same age than him. Karim feels irresistibly attracted towards this young man. What he feels will start questioning who he thought he was.

A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.

In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.

During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.

A band of displaced untouchables in Western Ghats of India embrace Buddhism in order to escape from caste oppression.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...

Bestselling romance author Francine London has a secret: she’s actually a six-foot-four mountain of a man named Ed Schwenke. When Ed’s identity comes under scrutiny, he hires a wildcard of a woman to pose as Francine at a romance fiction convention, while evading a cynical female journalist, who hates romance even more than she hates liars.

In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.

J.D., a young man is at an important stage in his life of choosing a life partner.Looking like a plain situation which all youngsters go through, JD is accompanied by an unusual combination of problems, one of a persistent pressure of marriage from his mother and second of the astrological predictions surrounding them. Caught in a fix, JD fights the battle with his three friends, Sandy, Sumit and Deepak who have their own definitions of love. All three friends try different solutions to get JD's life sorted and plan to find a girl for him whom he can divorce. JD in the middle follows all the tricks and plans and ends up meeting Tia, a modern and independent girl who follows her own mind. But much to their surprise, the story unfolds differently and JD finds himself in a larger soup than he had imagined. Between following his mother or his heart, JD is caught in a problem that does not seem to solve.

A woman’s lover and her ex-boyfriend take justice into their own hands after she becomes the victim of a rapist. Because some acts can’t be undone. Because man is an animal. Because the desire for vengeance is a natural impulse. Because most crimes remain unpunished.

Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.