May•JEJU•Day

According to a survey by the U.S. military government in 1946, 78% of the South Korean people wanted socialism and only 14% capitalism. By appointing the pro-Japanese collaborators and the rightists, Rhee Syngman, who had not received the people's support, massacred those groups and civilians that were political stumbling blocks. In dealing with the Jeju 4.3 uprising in 1947 and the Yeosun incident in 1948 and The Korean War having broken out, massive civilian massacre became regularized.

If you look into the entrance of one of the huge caves on the Korean island of Jeju, it looks like a camera lens. If you walk into the cave, it looks like a screen, a rectangle showing clouds and white light, just like a film. Director Kim Minjung delves into the bloody history of Jeju, where tens of thousands were killed in a massacre in 1948. The camera follows the traces in the landscape, sometimes transformed by a strident, distance-creating red light, accompanied by a commentary by avant-garde filmmaker Hollis Frampton. Film as a means to address history and its taboos.

How did South Korea, after liberation in 1945 defend liberal democracy against leftist and communist forces? The door to that secret is now revealed.

Focusing on Mrs. Kang Sang-hee’s life, she lost her husband in the Jeju Uprising (March 3rd, 1948). The film views the dark-side of Jeju Island, a huge grave, which is completely opposite of the other side of the island, the famous tourist attraction. It says that the tragedy has been going on about the recent Gang-jeong village situation.

The oral writer of the April 3 Uprising and a Rwandan who came to Korea to study face each other, have a conversation, and then go on a trip hand in hand. The two people, from different generations, nationalities, and occupations, have something in common: they are the daughters of massacre survivors.

Documentary about the struggle of the people of Jeju Island, South Korea. Set in the context of the U.S. presence in Korea after World War II, the film reveals horrible atrocities at the hands of the U.S. Military Government of Korea.

Jeju authorities felled about 900 cedar trees on Bijarim-ro for a road expansion project. Citizens exposed the project's flawed environmental impact assessment, leading to its suspension. They continued efforts to protect Seongsan, slated for the second airport, and Bijarim-ro. This documentary follows the journeys of five women involved in this movement.

On the shores of Jeju Island, a fierce group of South Korean divers fight to save their vanishing culture from looming threats.

Confronting half of her mother’s life—her mother who had survived the Jeju April 3 Incident—the director tries to scoop out disappearing memories. A tale of family, which carries on from Dear Pyongyang, carving out the cruelty of history, and questioning the precarious existence of the nation-state.

The late Kim Dong-il, a Jeju April 3 refugee in Japan, left behind over 2,000 crocheted items and pieces of clothing that preserved her memories, identity, and history. As the film traces the redistribution of her belongings, it illuminates the still-unhealed lives of various Zainichi Koreans who lived through the same era, sharing and connecting their intertwined memories.

Jeju-do is the largest of Korean islands and lies between Korea and Japan. There, for hundreds of years, women dive without breathing apparatus, to the ocean floor and collect shellfish, octopus, and urchins that they sell. The divers are in their sixties and seventies and their daughters do not want to inherit their work, lifestyle, and health problems that go with diving. As a filmmaker I was privileged to meet many of these women and dive with them. Their stories of hardship and pride confirmed my desire to record this unique and ancient tradition.

In the turmoil of the Jeju 4.3 incident, Jeju Island witnessed the loss of an estimated 25,000 to 30,000 lives, with women constituting a significant yet often unrecognized proportion of the victims. This documentary illuminates the once-shrouded experiences of these women, led by a dedicated Jeju 4.3 researcher.

70 years ago, a massacre called ‘Red Hunt’ occurred in Jeju island. Over 6 years, countless lives were murdered in the Daranshi cave, Jungbang waterfall, and Ompang field. There was no line between life and death. There were only ideological and political strategies that surrounded Jeju. After 49 years, survivors can finally testify the memories that could not be forgotten.

'Plum' is dissatisfied with 'Jeon Bok', a Jeju girl who met her mother on a family trip to Jeju Island. Besides, what are those heart-shaped eyes looking at 'Yoonseok'! When Jeon Bok, his best friend, Yun Seok-i, is taken over by Jeon Bok-i, an angry Ja-doo accidentally knocks over the Dolhareubang, and 'Bori', who was sealed with her curse from a long time ago, awakens. The people hit by Bori's Dolhareubang beam turn to stone and harden, and Jadoo and her friends search for a way to restore everyone to their original state... Let's go to Jeju Island! Let's go two! Fantastic adventure of the cheerful hero Jadu! What is the super secret that the fate of Jeju Island is at stake?