Surgeon during the Algerian War

In the streets of the Casbah of Algiers, an FLN fighter pursued by the colonial police hands over confidential documents to Mourad, an Algerian child shouting newspapers who must at all costs pass them on to the resistance. But the police are on their trail and will do anything to get them back.

A drama following a French platoon during Algeria's war of independence.

Biopic of Date Masamune. Young Masamune upon learning of the death of Nobunaga decides that he is the man to fill those sainted clogs. The fastest way to do this is to subjugate the neighboring warlords. This is an action that results in the death of his father and younger brother and not the least brings him to the attention of Hideyoshi and not in a good way either but intervention by the regents nephew Hidetsugu and Maeda Toshiie save his neck although he is forced to move to a smaller fief and send his wife to Kyoto as hostage. Although curbed of his lofty ambitions his friendship with Hidetsugu again lands him in hot water when Ishida Mitsunari arranges the downfall of the unfortunate Hidetsugu, Toshiie and Ieyasu save his neck and the flamboyant young warlord is sent to Korea where he wins great honors. Upon his return Hideyoshi is dead and Masamune allies himself with Tokugawa Ieyasu thus assuring the survival of the Date family. An amazing story from beginning to the end!

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

1943. They have never stepped foot on French soil but because France was at war, Said, Abdelkader, Messaoud and Yassir enlist in the French Army, along with 130,000 other “indigenous” soldiers, to liberate the “fatherland” from the Nazi enemy. Heroes that history has forgotten…

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.

Documentary on the beginnings of Algerian independence filmed during the summer of 1962 in Algiers. The film was banned in France and Algeria but won the Grand Prize at the Leipzig International Film Festival in 1965. Out of friendship, the production company Images de France sent an operator, Bruno Muel, who later declared: "For those who were called to Algeria (for me, 1956-58), participating in a film on independence was a victory over horror, lies and absurdity. It was also the beginning of my commitment to the cinema."

An account of the brief life of the writer Albert Camus (1913-1960), a Frenchman born in Algeria: his Spanish origin on the isle of Menorca, his childhood in Algiers, his literary career and his constant struggle against the pomposity of French bourgeois intellectuals, his communist commitment, his love for Spain and his opposition to the independence of Algeria, since it would cause the loss of his true home, his definitive estrangement.

Paratrooper commander Colonel Mathieu, a former French Resistance fighter during World War II, is sent to Algeria to reinforce efforts to squelch the uprisings of the Algerian War. There he faces Ali la Pointe, a former petty criminal who, as the leader of the Algerian Front de Liberation Nationale, directs terror strategies against the colonial French government occupation. As each side resorts to ever-increasing brutality, no violent act is too unthinkable.

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

This is a story of "Takechiyo," the previous name of Iemitsu Tokunaga, the third Shogun (General). Takechiyo got sick of daily run-of-the-mill tasks, and it put him off being the Shogun, saying "there is no truth". Then, Hikozaemon Ookubo took him to Tasuke Isshin to bring him up into a full-fledged and admirable man.

The fish market is to be moved to Shinagawa, and Tasuke Isshin (Jun Inoue) got in trouble. Hikosaemon Ookubo (Eijiro Tono) heard of it from Tasuke, and ask about it to Iemitsu (Ken Tanaka). However, on the contrary, Hikosaemon received penitence for a bribe that he doesn't know.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.