Lawless

Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.

An American man returns to the village of his birth in Ireland, where he finds love and conflict.

In early 1860s New York, Irish immigrant Amsterdam Vallon is released from prison and returns to the Five Points, seeking revenge against his father's killer, William Cutting, a powerful anti-immigrant gang leader. He knows that revenge can only be attained by infiltrating Cutting's inner circle. Vallon's journey becomes a fight for personal survival and to find a place for the Irish people.

Joe Buck is a wide-eyed hustler from Texas hoping to score big with wealthy New York City women; he finds a companion in Enrico "Ratso" Rizzo, an ailing swindler with a bum leg and a quixotic fantasy of escaping to Florida.

When a deported gangster dies in Italy, the U.S. Treasury Department is very interested in the one million dollars Madigan owed the government, but managed to take to Italy with him. They send Agent Jason Phister over to Italy to nose out the million. His criteria for the job is that no one would ever guess he's an agent of the United States government.

This lavish Soviet/Czech co-production is based on Fyodor Dostoyevsky's famous novel, The Gambler, which tells the story of a Russian living in Germany, in a gambling resort. This film is set at the turn of the century, and was filmed in Karlovy Vary (Carlsbad), Czechoslovakia. Played by Nikolai Burlyayev, the gambler succumbs completely to his addiction, using up every resource he has (human, spiritual and financial) in his wagering, finally becoming a rootless drifter.

An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

The story about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Inc. and Microsoft Corporation.

The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…

Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

Straight-to-video filmmaker David Payne writes and directs the docudrama Just Can't Get Enough: The True Story of the Chippendales' Murders. The movie opens with Nick DeNoia (Peter Nevargic) getting shot in his office. The bulk of the story takes place in the early '80s during the glory days of the Chippendales night club, owned by sleazy businessman Steve Banerjee (Shelley Malil). Innocent college graduate Chad Patterson (Johnathan Aube) gets a job at the club to make some extra money, but he manages to get corrupted by the money and lifestyle. Then choreographer DeNoia gets involved in a blackmail scandal and Steve gets illegal ideas of his own.

Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.

An ambitious mobster plans an elaborate diamond heist while seducing the daughter-in-law of a ruthless mob patriarch as a determined police commissioner closes in on all of them.