Congonhas do Campo

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

50 years after the realization of their utopias, three old architects take the director on a journey to discover extraordinary housing. A joyful journey through time, from which emerges a crucial question: how will we live tomorrow?

Best known for designing National Historic Landmarks such as St. Louis’ iconic Gateway Arch and the General Motors Technical Center, Saarinen also designed New York’s TWA Flight Center at John F. Kennedy International Airport, Yale University’s Ingalls Rink and Morse and Ezra Stiles Colleges, Virginia’s Dulles Airport, and modernist pedestal furniture like the Tulip chair.

In the heart of Paris, an entire palace has disappeared. It was the very first residence of the kings of France. Long before Versailles, long before the Louvre, the Palais de la Cité stood on the most prestigious island in Paris, the historic cradle of France, facing Notre-Dame. So majestic in the Middle Ages, this palace has become a ghost of history. Over the centuries, this architectural masterpiece has almost completely disappeared. A trio of experts will resurrect it in 3D. Using science and unprecedented excavations, they will track down the pieces of the puzzle to reconstruct it at its peak in the 14th century, and bring back to life those who inhabited it. From the Romans to the Vikings, from Saint Louis to the cursed kings, all have left clues of this 'Versailles of the Middle Ages'.

In the midst of the chaos of México City, a group of eight bachelor millennials who call themselves ´The Hermits´, open the doors to their tiny apartments in the historic Ermita Building, in the yet-to-be gentrified neighborhood of Tacubaya, and share their life experiences in a time when precarity changes the way in which we love, feel and relate to each other. As we explore the homes of these eight neighbors, we also witness their personalities intersect in a Whatsapp chat, a virtual space that functions as a supporting system that helps them face the adversities that living alone in this city brings.

An intimate portrait of an old man coming to terms with own mortality and letting go off his magnum opus - his garden. Living through an autumn of his life, he reminisces about his life filled with hard work, love for nature and onions.

Documentary film about Catholic Church teachings about homosexuality. Describes the "third way", the lifestyle lead by orthodox gay Catholics practicing celibacy out of personal choice, an often overlooked demographic in the debates about homosexuality in the Church.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

What motivates people to organize communal living themselves? What ideals are behind it, how do they finance themselves, and how does life in a community work? Based on six self-managed residential buildings in Austria from the past 40 years, the documentary film "Der Stoff, aus dem Träume sind" (The Stuff Dreams Are Made Of) sets out to find answers. Filmmakers Lotte Schreiber and Michael Rieper tell these six stories by staying very close to the protagonists.

Phillis Wheatley Elementary School was a significant landmark in the Tremé neighborhood of New Orleans, serving as an important educational institution for African-American students for nearly half a century. The school was known for its innovative modern design that was unique to the region, reflecting the area’s cultural and historical roots. However, the school sustained significant damage during Hurricane Katrina and its aftermath in 2005. Despite the damage, the school’s unique design caught the attention of DOCOMOMO Louisiana, an organization dedicated to preserving modern architecture. They advocated for the restoration of the school through adaptive reuse, citing its historical significance and architectural importance. The organization produced this short film, “A Plea for Modernism,” narrated by actor Wendell Pierce, to raise awareness of the school’s cultural and historical value and promote its restoration.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)