Armenia

In Munich, the Armenian Areg dreams of studying cinema with his German girlfriend Lilly. Until her widowed mother fell seriously ill with diabetes. Areg and her little brother Garnik have to take care of her.

The film is about the civil war in the Zangezur (Syunik) province of Armenia in the early 1920s. The last Dashnak battalions headed by Sparapet Nzhdeh still opposed both the incursion of Red Army and the local Bolshevik partisans.

The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.

In 2020, when a French robotics student investigates his mother's guarded secret about his true Armenian identity, he jeopardizes his university AI competition to travel to Artsakh and gets entangled in an unexpected full-scale war where he must rely on the evolving consciousness of his AI creation to save his life and learn the truth.

Taking place in 1991, Tigran, who teaches math at a village school to avoid the army, loses the girl he loves. Consumed by abject wretchedness, he decides to enlist as a volunteer in the Nagorno‑Karabakh war to give meaning to his hollow life.

Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

The film is dedicated to the Armenian monk and genius composer Komitas, and the 2 million victims on his people in Turkey in 1915. The final 20 years of Komitas life were spent in various mental hospitals. The destiny of Komitas? This is the magic beauty of Armenian culture and the abhorrent brutality of Armenian history. A cultural and artistic world that was slaughtered with a curved knife. A humanity that doggedly advances towards an apocalyptic catastrophe, that does not recognize its own original purpose, eradicates its own memory, its final roots.

The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.

The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.

In 1948, decades after fleeing Armenia to the US as a child, Charlie returns in the hopes of finding a connection to his roots, but what he finds instead is a country crushed under Soviet rule. After being unjustly imprisoned, Charlie falls into despair, until he discovers that he can see into a nearby apartment from his cell window - the home of a prison guard.

Inspired by true events, this is a film about a childhood friendship, torn apart by the horrific Hamidian massacres infiltrated by the Ottoman Empire under the rule of Sultan Abdul Hamid II (1894-1896).

During a general cleaning weekend in his village house an old cemetery groundskeeper discovers that he is just as much of a burden for his family, as his old mementos they are throwing away in the trash.

Robert Sternvall, a German journalist, returns to Artsakh in 2016 to cover the war which has been reignited after a 22-year ceasefire. In the result of his journalistic investigation, Robert meets Sophia, a young opera singer, who happens to be the daughter of missing photojournalist Edgar Martirosyan, whom Robert abandoned in captivity during the fall of the village of Talish in 1992. Robert and Sophia’s frequent rendezvouses ignite a passionate romance...

The film consists of three parts. The first one is about a harmonious family that will be separated because of the existing situation. Little Aram carries the tragedy of the separated family. In a day, his entire childhood ends. The reason is one thing only… In the second part of the film a feminine touch is evident by Astghik’s character. One step and peace turn to war in a day, that’s when she loses her friendship, her love, and the idol. The third film tells about a 14-year old Tevanik who becomes part of the war activities. During the fights and as a result of his inability to put an end to a beauty, moments become decisive for Tevanik

In post-war Armenia, physicist Artyom buries himself in work, haunted by the loss of his wife in WWII, unable to let go of the past. Meanwhile, young Tanya refuses to accept her stepfather, still waiting for her real father, missing in action for years. Their parallel journeys explore memory, loss, and the weight of history—both personal and national. As Artyom grapples with the dilemma of remembering versus forgetting, the film becomes a meditation on identity, time, and the inescapable pull of the past. Partially based on the life of prominent Soviet-Armenian scientist Artem Alikhanyan, Hello, It’s Me! is a deeply reflective exploration of history’s grip on both individuals and nations.