Drive and Deliver

This feature documentary shines a light on a group of women who are passionate about their non-traditional job – trucking. Filmed in 1999, it follows the women all across Quebec as they do their job and address the big-ticket items in life: love, family, freedom, and solitude. Filled with humour and the contagious good spirits of the women involved.

Trucking is big business. Cashing in on the boom is Shannan’s trucker driving school. But can she pass her own HGV test?

This film shows the dangers of driving commercial trucks professionally as part of driver’s education. It displays various truck drivers; some cautious and others fatally dangerous.

Through experimentation, direct observational filmmaking, and performative play, filmmaker Amy Reid rides and films with women truckers who have fled domestic violence, the stigmas of being formerly incarcerated, and mental health issues. The three subjects -- Sandi, Lori, and Tracy -- each share how they started trucking and what keeps them trucking.

DRIVER is a soulful exploration of resolute female long-haul truck drivers pursuing validation for their hard-earned work as they navigate the oppressive forces in their industry. Employing an intimate lens, Nesa Azimi’s first feature brings the audience into a community of solidarity and self-determination.

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Trucker Mac takes his daughter on a haul where they're pursued by merciless criminals after the valuable cargo. Staying one step ahead, they must deliver it safely.

An ex-con trying to go clean ends up working for a crooked trucking company swindling money.

Sena has had a care-free deco-truck business, but one day, she receives a strange request by a cheap hoodlum, Takizawa, to carry a blind stripper, Azumi, to a certain location. She reluctantly accepts it, but yakuza members begin a persistent search for Takizawa, who turns out to have stolen their company’s money. Here comes the long-awaited new deco-truck series featuring the idol, Saori Hara, rolling down the highway on a ton of love, action, and steam!

Australian truck driver Jack has written a successful romance novel under the name of his best friend's girlfriend - Ruby Vale. When a publisher arrives to sign up 'Ruby', complications arise.

At the dedication of a new road sign, Dan McGurk tells the story of his forebears and how they helped transform rutted dirt roads into the modern highways of today. He speaks of the benefits of the trucking industry and how it depends on the nation's roadways, and he rails against regulations that make the industry less efficient and profitable. After recounting the amounts the trucking industry pays in taxes, he watches the unveiling of the sign naming the highway The McGurk Way.

Truckers battle a Nazi who has hidden out in Mexico. Subplot involves the disappearance of a reclusive billionaire.

After a gang of thugs brands a hard working truck driver a traitor and murders his bride, He retaliates by being even more violent than his attackers.

A truck-stop waitress, determined to make a better life for her young children after being abandoned by her husband, leaves hash-slinging behind her to embark on a new career as a trucker in the rig her late father used to drive.

A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)