Polar Bear Safari

The enchanting true-to-life tale of polar bear cubs and their mother on a 400-mile journey from their birth den in Svalbard to the pack ice surrounding the North Pole.

In Caribou in the Archive, rustic VHS home video of a Cree woman hunting caribou in the 1990s is combined with NFB archival film footage of northern Manitoba from the 1950s. In this experimental film, the difference between homemade video and official historical record is considered. Northern Indigenous women hunting is at the heart of this personal found footage film in which the filmmaker describes the enigmatic events that led to saving an important piece of family history from being lost forever.

For centuries, Inuit in the Arctic have lived on and around the frozen ocean. Now, as climate change is rapidly melting the sea ice between Canada and Greenland, the outside world sees unprecedented opportunity. Oil and gas deposits, faster shipping routes, tourism, and fishing all provide financial incentive to exploit the newly opened waters. But for more than 100,000 Inuit, an entire way of life is at stake. Development here threatens to upset the delicate balance between their communities, land, and wildlife. Divided by aggressive colonization and decades of hardship, Inuit in Canada and Greenland are once again coming together, fighting to protect what will remain of their world. The question is, will the world listen?

For four years, Asgeir Helgestad, a Norwegian wildlife filmmaker, has followed a beautiful polar bear mother named Frost in her home on Svalbard, a group of islands in the Arctic Ocean. Rising temperatures are causing dramatic changes in her ecosystem, leading to desperate struggles to find food for herself and her young cubs. Follow this tale of man and beast, hope and despair, and life and death in a land disappearing before their eyes.

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

Kathrine Switzer, Siila Watt-Cloutier, and Sharon Farmer. They are the first woman to run the Boston Marathon officially, the first woman to connect climate change to human rights, and the first woman to serve as Chief White House Photographer. These trailblazing women broke barriers in their time and continue to pursue their passions to this day. They’re living proof that you can follow your dreams and maybe change the world in the process.

The third and final part of a trilogy based on Arctic creation myths. The film is a multifaceted tissue weave of myths and traditions reflected in the symbiosis between reindeer, human and landscape.

A new mother’s memories of her own youth prepare her to navigate motherhood in the increasingly challenging world that polar bears face today.

This documentary focuses on the lives of American hunters, presented as an honest exploration of the controversies, emotions, and traditions inherent to this most primal human activity.

Death threats, court battles, and an iconic endangered species in middle, The Trouble With Wolves takes an up close look at the most heated and controversial wildlife conservation debate of our time. The film aims to find out whether coexistence is really possible by hearing from the people directly involved.

This short film showcases the skills of Howard Hill, known as the "World's Greatest Archer".

Comedian, actor and national treasure, Billy Connolly, travels to the wilds of Arctic Canada to spend quality time by himself , with just his thoughts and camera for company.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

Wildlife cameraman Gordon Buchanan travels to the town of Churchill on the shores of Canada's Hudson Bay, where packs of polar bears gather each Autumn to prepare for their winter hunt.

Ulivia explores what is accessible via the Internet in relation to Inuktitut. A complex language with several dialects which varies from one generation to the next. Inuktitut is threatened by dominant languages. Are there solutions so that these technologies are allies and not enemies?