Audible

This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.

In American Sign Language (ASL) with subtitles available in English, Spanish and Canadian French. This powerful documentary uses real life experiences from Deaf people of varied social, racial, and educational boundaries showing how this form of oppression does lasting and harmful damage. Bonus materials include directors' comments from Ben Bahan and H-Dirksen Bauman and additional scences. Teachers: This film is a wonderful tool for beginning ASL students, as an introduction to a side of Deaf culture that cannot be found in any textbook.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

Sign The Show: Deaf Culture, Access and Entertainment is a feature-length documentary providing insight into Deaf culture and the quest for access to entertainment. It brings together entertainers, the Deaf and Hard of Hearing (HOH) community, and American Sign Language interpreters to discuss accessibility at live performances in a humorous, heartfelt, and insightful way.

The film is separated into four chapters, each tracking a different group of protagonists who all have one thing in common – they were born deaf. Little Sandra likes to play football and admires Ronaldinho. Marián worships trains and wants to be an engine driver. Teenagers Alena and René are expecting a baby and long for it to be born healthy. The trio of Roman, Kristián and Karmen help their parents by collecting junk to be sold and dream of one day having a house with a flush toilet.

Sven has a dream. Once in his life he wants to walk the Camino de Santiago - the Way of St. James. But that seems impossible, Sven has Usher syndrome, a disease which slowly, inexorably robs him of hearing and vision. Profoundly deaf and completely blind since 2010, he can only communicate using a special hearing aid in the spoken language.

The life of Princess Alice of Battenberg, Queen Victoria's great-granddaughter, Prince Andrew of Greece's wife and Queen Elizabeth II's mother-in-law. Born deaf, she faced tremendous hardships but found solace in faith and charity work.

Through examining Fini Straubinger, an old woman who has been deaf and blind since her teens, and her work on behalf of other deaf-blind people, this film shows how the deaf-blind struggle to understand and accept a world from which they are almost wholly isolated.

In his heartfelt documentary, co-director and subject Elad Cohen explores the meaning and experience of family. Growing up deaf and gay in a family of hearing people, Cohen never felt at home and always felt alone. That feeling of estrangement was exacerbated during his adolescence by the sudden death of his mother and the subsequent rift with his father as the family scattered in different directions. Cohen creates a sense of family with a small group of friends, including his best friend, Yaeli, a deaf woman. While he wants a child and a life partner, he fears that he won’t find the right man in the small deaf community in his “sweet little country.” Sharing a desire with Yaeli to be parents, the new “couple” decide to have a child in a shared parenting arrangement.

Straddling the line between documentary and fiction, the film follows the journey of a filmmaker in search of answers to the questions left by the death of his great friend. If in the past Reindeer Queer sounded pejorative to both of them, today it is synonymous with resistance and the possibility of being exactly who you are.

Told almost entirely without spoken words, this film unfolds in the language of its subjects: Guatemalan Sign Language. In a country where more than 850,000 Deaf people receive little institutional support, silence becomes both a barrier and a form of connection. Through classrooms, homes, and everyday life, the film observes a community building its own means of understanding and belonging. Among those leading the way are Melkin, Dairy, and Jonathan, the teachers, students, and leaders within Guatemalan Deaf Ministries, where the language of hands has become the language of hope.

Discover the story of the greatest civil rights movement most people have never heard about. During eight tumultuous days in 1988 at the world's only Deaf university, four students must find a way to lead a revolution—and change the course of history.

Lotte (18) and Roos (16) are sisters and both have Usher syndrome. That means they will soon become deaf and blind. It is not known how fast that will go, but they already see and hear a lot worse than their peers. How do these two high-spirited girls deal with their development into adulthood, while the time bomb of deafness and blindness ticks inexorably? They are not deterred from getting the most out of life: Lotte is studying to become a photographer and Roos is passing her final exams. At the same time, they also want to do a few things before it is too late, such as seeing the Northern Lights with their own eyes. Director Kim Smeekes followed Lotte and Roos for the film for two years.

Through intimate stories and day-to-day routines we get a naturalistic glimpse into the lives of individuals with disabilities in the bustling urban landscape of São Paulo. The film captures personal moments and how modern societies confront (or fail to confront) ableism and inclusion.

Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.