Im Luxuszug durch das Herz Asiens

A visit to Singapore, an essential port city in Britain's empire, established in 1813 when Raffles negotiated its separation from the independent Malay state of Jahor. The camera observes Singapore's traditional neighborhoods, trade, and small craft, which are dominated by people of Chinese ancestry. Then, we drive the modern causeway to Jahor's small capital, Johor Bahru, for a look at imposing buildings and a visit to the grounds of the sultan. The sultan's son invites the crew in, and we meet the sultan, "H.H." himself. The narrator relates the sultan's commitment to commerce, economic well-being, and tolerance, stemming in part from his European education.

This travelogue begins at Bangkok's rail depot, a center of Indo-Chinese commerce. Next the narrator talks about Buddhism as the camera shows us some of Bangkok's many temples. Then, the narrator introduces us to the importance of traditional dance, with emphasis on the way that delicate wrist movements tell stories. It's on to the system of waterways in Bangkok, where more than 1,000,000 people live or conduct commerce. We take a ride down the Menam River, the country's most important commercial and social road. From our boat, we pass Wat Arun and other colorful signs of life typical in serene Siam.

The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.

"When I first started to photograph in dark and unfamiliar places all over Singapore in 2003, I had no idea that those images I made would come to define me as a photographer. Born out of a curiosity of the unknown, as well as a young photographer’s restlessness, While You Were Sleeping grew to say as much about our country as it did of me. Eighteen years, two books and two exhibitions later, Singapore is now a very different place. Many of the locations I visited in the early 2000s, once alien, are now completely transformed." – Darren Soh, photographer

I AM GOLDEN KAREN is a coming-of-age story of Thaawa, a Karen refugee in search of his identity as a migrant in Thailand. In between puberty and adulthood, he nurtures a strong desire to return to his motherland, Karen State, Burma.

Dismembered limbs. Topless mermaids. Crabs with human heads. These Chinese folklore-themed statues, in all their surreal, grotesque glory, are seared into the mind of Singapore's Haw Par Villa. But no one knows them as well as Teo Veoh Seng. Decades ago, he started out as an apprentice at the park, which opened in the 1930s; now, at 83, Teo has finally decided to retire. Though his successors prepare for his departure, what will be lost when the master craftsman steps down? Interspersing interviews with animation, this documentary weaves personal and national histories into the portrait of an unlikely Singapore hero. It sheds light on an artisan whose quiet dedication has preserved a uniquely charming slice of a city hounded by rapid urban developments.

She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.

An intimate portrait of Victoria Chorale — a Singaporean, alumni community choir led by Nelson Kwei, as he prepares them for a return to the international competition stage in Tokyo for the first time in 18 years. And possibly also their last ever. CODA is an observation of the relationship between the music and its Singaporean makers.

A documentary directed by Winding Refn's wife, Liv Corfixen, and it follows the Danish-born filmmaker during the making of his 2013 film Only God Forgives.

There are only 320 Mlabri people left on this planet. They came out of the jungle in Northern Thailand on the border to Laos one generation ago. The Mlabri people used to be hunters and gatherers. Today they scrape out a meagre existence at the bottom of society working as day labourers for the Hmong farmers, and living in shacks on the outskirts of larger Hmong villages. The Mlabri people are currently going through a transformation process, which has taken many other people thousands of years. Now the young people are faced with the choice of staying with their families in the village or adapting to the Thai society. How do they experience the meeting between their own culture and the local, regional and national majority cultures? In this film young Mlabri tell about their past, present and future as they see it; all expressed in their unique and expressive Mlabri language.

Singapore’s coastlines are always in flux - a delicate dance between the receding tides and the rising earthmovers. 'seaward' drifts through the peripheries of this very landscape, offering a quiet meditation on the life that endures at the edges of a changing island.

In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

It's Seattle 2006: A refugee teenager from Cambodia begins recording a video diary early in the summer to explain the meaning of "thug life." But ultimately his summer is defined by tragedy. Awarded Best Documentary at the DC Asian Pacific American Film Festival 2019

A dwarf, a dragon, and a golden egg. Yet the real fairy-tale of this film is the journey of Jeanmarie, the Dutch street performer. In an adventurous project, Jeanmarie teams up with youth worker Frank to travel through the last remaining untouched regions of China, performing his new show to local children. As they transport their wondrous music machine from village to village, they bring laughter and intrigue to all who witness their magical performance, reuniting reality with fantasy, Europe and Asia. In a film as imaginative and whimsical as Jeanmarie's play itself, this is a poignant tale of passion and conviction to follow and fulfil your dreams.

Partitions draws on photographs, state documents, audio recordings and footage of domestic spaces and routines, to tell a story of Sindhi migration following the Partition of India in 1947. Inspired by the life of a woman who was born in Hyderabad, Sindh, grew up in Madras (Chennai) and lived the rest of her life as a Singaporean, the film juxtaposes fragmented recollections of the past with enduring practices of the present.