Top Gear France - Moroccocorico

A countdown of 100 of the most shocking moments in music, hosted by Chris Jericho.

33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Stars celebrate Bob Hope's 50 years with NBC.

The electrifying FutureSex/LoveShow finds Justin Timberlake stunning a sold-out crowd at New York's Madison Square Garden. Fans seeking pulse-pounding versions of "My Love," "Rock Your Body," "Cry Me a River" and "SexyBack" will not be disappointed.

Hammond and May host a special episode featuring two films that had been completed prior to the dismissal of their absent colleague. In the first film, the pair and Clarkson each try to live as classic car enthusiasts with a particular classic car - Hammond picks a MGB GT, Clarkson chooses a Fiat 124 Sport Spider, and May drives a Peugeot 304 S Cabriolet - testing out their choices, before modifying and improving their cars, and competing against each other to see who's choice is the best. In the second film, the trio see which is the best second-hand 4x4 SUV on a budget of £250 - Clarkson pics a Vauxhall Frontera Sport RS, May chooses a Mitsubishi Shogun Pinin, and Hammond drives a Jeep Cherokee - facing a series of challenges that concludes with a race in which the loser must conduct an awkward after-dinner speech at their destination.

A parody of Johnny Carson anniversary shows made for the Showtime cable network.

The special takes place during the two year before the Straw Hats reunite on Sabody. Luffy is currently in Rusukaina training to get stronger to take on the New World. However the training is interrupted when Hancock's sisters, Marigold and Sandersonia, are kidnapped by the Byrnndi World, a pirate who was locked away on Level 6 of Impel Down but escaped during Luffy's invasion to save Ace, in order to lure Hancock to him and use her as a hostage against the World Government due to her Shichibukai status. Thus Luffy and Hancock head off to confront him and save Hancock's sisters.

The Cat in the Hat is all set for a lovely picnic, but the evil Grinch changes his plans by inventing a contraption that captures noise and makes it sound ferocious. The Cat has to save the world from the clutches of the Grinch and the only way to do it is to reach Grinch's soft spot.

Peter Cottontail wants to be the #1 chief Easter Bunny, and everyone in April Valley agrees...except for Evil Irontail. Peter must deliver more eggs than this archrival to earn the top spot...and save Easter for children everywhere!

It's Christmas Eve and the playroom is alive with excitement for the new toys that will arrive the next day. Balthazar, the old and wise bear, explains to the other toys that they must welcome the newcomers even though each of them may be replaced as one of the children's new favorite toys.

Lynda Carter stars in her fourth musical TV special with guests George Benson, Tony Orlando, and Frank Stallone.

When the sour-sweet wind starts blowing again, the Whos retreat to their homes because they know the Grinch will soon be a'prowlin. Young Eukariah Who has to make a trip to the Euphemism (outhouse), when the wind blows him away to a confrontation with the gruesome Grinch. Eukariah decides that the Grinch must be stopped, so he faces his fears and confronts the Grinch and his spooks.

1991's NBC Halloween special with John Astin and Rhonda Shear. Features clips from classic horror movies with commentary.

A salute to movement in various forms, both literal (the physical movement of a dancer or gymnast) and figurative (movement in a relationship between two people).

After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.