The People We Hate at the Wedding

Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".

Emil's reputation for being a troublemaker makes the Svensson family's neighbours take up a collection for sending the boy off to America. But even if he among other unfortunate mishaps causes his father to get stuck in the outhouse window and get bitten by crawfish, all is forgotten when he skillfully wins the family a free horse. And when Alfred the farmhand gets seriously ill, Emil puts his own life on the line, venturing into a snow storm to get his best friend to a doctor before it is too late.

Nursing a piglet back to life because it's the runt of the litter earns Emil a friend for life.

Millionaire William van Luyn falls in love with his secretary Joan Thayer and marries her. Her family, part of "the great middle class" (as blowhard nephew Henry keeps reminding us), is happy for Joan, but reluctant to take charity from Will. He moves in with them, and they keep resisting, until one day he takes drastic action.

When Anders wakes up on his wedding day, he finds himself naked in an elevator, only remembering some of what happened.

Irresponsible party girl Maggie is kicked out of her father's and stepmother's home—where she lives for free—and is taken in by her hard-working sister, Philadelphia lawyer Rose. After Maggie's disruptive ways ruin her sister's love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.

Emil Svensson lives with his mother and father, little sister Ida, farmhand Alfred, and maid Lina on a picturesque farm in Småland. He is an unusually lively little boy, who just can't resist trying out every whim that enters into his white-haired head. Always with the best intentions in mind, because he is a good-hearted child, but often with catastrophic results, especially for his short-tempered father. As a result, Emil spends a lot of quality time in the wood shed carving wood figurines and waiting for Anton's temper to cool down. And the father's patience is certainly tried, as Emil gets his head stuck in the family's only soup bowl, hoists little Ida up the flag pole, and arranges a lavish Christmas party for the poor.

In this Shakespearean farce, Hero and her groom-to-be, Claudio, team up with Claudio's commanding officer, Don Pedro, the week before their wedding to hatch a matchmaking scheme. Their targets are sharp-witted duo Benedick and Beatrice -- a tough task indeed, considering their corresponding distaste for love and each other. Meanwhile, meddling Don John plots to ruin the wedding.

Seok-gu, a documentary producer specializing in current events and accusations, wishes to find meaning in the dark and inconvenient things of the world. Old women who fell in love with Hangeul (Korean alphabet) appear in front of him. Over and over again, they say "old people should die," but their joyful lives are more exciting than anyone else's.

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.

'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.

A couple who want to marry, but face the disapproval by the girl's father.

Since they were both five, Ryosuke has been stalked by Momoko - the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste - but still he wants nothing to do with her. Ryosuke goes in for fleeting romance - for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke's little finger hacked off. Magically, the finger falls into Momoko's hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba's short-but-powerful feature debut. Just like in her previous short films, the director - who cut her teeth in the advertising world and as the writer of a video game - throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR

The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.