Um Jantar Muito Original

On the outskirts, residents feel marginalized from society, as if they had no identity, and this is reflected in the surrounding buildings, anonymous in their neglect. The first character is one of these residents, who, while wandering around the city, finds a wallet lying on the ground. The moral duty to return the wallet conflicts with the vision of a new future, far from the shadow of the suburbs, through the assumption of a new identity.

Olívia, a fashion executive, and José, a photographer, gets together in Paris, having casual sex and talking a little about relationships. And, in some days, they meet again in another city. And another one. And another... Latitudes is a trip around the world, the love and the poem of living.

Fernando Pessoa, one of the greatest writers in Portuguese, created an immense parallel world and several heteronyms so as to endure the loneliness of genius. José Saramago, 1998 Nobel Laureate in Literature, has a heteronym, Ricardo Reis, return to Portugal after a 16-year exile in Brazil. 1936 is a perilous year with Mussolini’s fascism, Hitler’s Nazism, Spain’s Civil War and Salazar’s New State in Portugal. And Fernando Pessoa meets his creation, Reis. Two women, Lídia and Marcenda, are Reis’ carnal and impossible passions. “Life and Death as one” allows for literature and cinema.

Maria spends her daytime sewing and cleaning, while at night she works as a prostitute in Oporto's streets. Years ago her path crossed with José, a married man who became her most faithful client but who couldn't help her to escape the hard life. Today this old prostitute continues showing off her body through the long city's nights, though the clients are almost gone. José is still there, but he failed at what she desired the most: a son. In a very intimate and raw portray of a woman, MARIA disclosures how love and getting older can feels like.

The Inquisition continues the persecution of Portuguese Jews, sending Visitador Sebastião Noronha to the city of Oporto. With his family and community in danger, António Álvares, decides to outline an escape plan.

Rua de Santa Catarina, a street that was formerly home to dozens of local businesses and hundreds of Porto residents, now sees a crowd of tourists attracted by the cheap, disposable amenities that are popping up everywhere at once. Gentrification has decontextualized Portuguese culture, rendering the landscape uncanny. The Basin Woman, a symbol of the female workers of the historic Bolhão Market, is chased down by seagulls in the midst of this transcendent chaos.

Follows the fictional rivalry between two of Portugal's most prominent football teams - Invicta e Castelo and how their mutual disdain has spread further than the pitch.

Popular in the riverside area of Porto, Micas raised her daughter, Madalena, at the cost of sacrifice, as her father emigrated to Brazil. With a happy voice, Madalena works on unloading the coal, seeing her loves thwarted by her humble condition. Barata, another typical figure who makes a living from expedients, helps Madalena's father - meanwhile returned, to "register" her - in a kidnapping plan capable of facilitating her reconciliation with Micas, who is reluctant... Things get complicated, but happiness ends up triumphing.

Two schoolboys, Carlitos and Eduardo, fight for the affection of a girl, Teresinha.

Two married people fall in love and everything else breaks apart. A infidelities story told in a female voice.

A fisherman throws himself into unknown waters, where fish have long gone, wrapped in silent mystery. In this journey without return the landscape sometimes assumes the role of the other and the other soon reveals the reverse or a mirror of him self in the ineluctable solitude of the horizon.

Anastácio lives in Lisbon and is fanatic for Sporting CP, one of the city's football teams. When the team travels to face Porto, he follows it with the family, staying in house of his friend, Mr. Barata, pretending to be rich.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

"Estadio Novo is about Portugal, its football and its fans. As hordes of supporters descend on the ten brand new stadiums for Euro 2004, this lively and informative documentary takes a look at their impact. Examining the role of football in Portugal before and the revolution of 1974 it asks... what's really going on?"

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.