Life in Loops (A Megacities RMX)

RiP!: A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor.

A seventy-six-minute version of Häxan, re-edited and re-released in the United States by Metro Pictures Corporation in 1968. It is narrated by author William S. Burroughs, with a jazz score and soundtrack featuring violinist Jean-Luc Ponty.

Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.

The climactic scene of John Huston's Key Largo is fused with John Cage's 4'33", all dialogue is stripped away to reveal a cinema of movement, glances and inadvertent comedy.

DJ Spooky's Rebirth of a Nation is a film project based on a remix of D.W. Griffith's infamous 1915 film Birth of a Nation. The original film was based on a novel and theater play by Thomas Dixon entitled The Clansman - essentially what Dj Spooky is doing is applying dj technique to cinema in a way that parallels, deconstructs and remixes the original. Thus Rebirth of a Nation DJ Spooky's Rebirth of a Nation has been touring for several years and has drawn acclaim around the world. From the Herod Atticus Theater at the base of the Acropolis in Greece, to the London IMAX - Europe's largest movie screen - Dj Spooky has presented the remix as an engagement with film, music, and contemporary art. He likes to think of it as "film as found object" in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol, and David Hammons, amongst many others, have fostered creative investigations into the idea of found objects, cinema, and "appropriation art."

One of the most iconic sequences in the history of Hollywood cinema (from Alfred Hitchcock’s NORTH BY NORTHWEST) is deconstructed and reassembled to illuminate the patterns, rhythms and choreography of the original so as to break through and make for an eight banded kinetic tour de force. As the piece progresses the temporal displacement of each band gets closer and closer until they all unite into a remarkable grand finale.

The work is created using a technique that expands film scenes beyond the conventional screen ratio. The finished result reveals beautiful panoramic views of the background landscapes as captured by the panning camera, effectively allowing film scenes to be seen as never before.

Both an activist and a documentarian, Valentina Pedicini also brings her background in anthropology to this impressively captured, claustrophobic nonfiction feature. Venturing beneath sea level, From the Depths profiles the lone woman at work in the last coal mine in Sardinia, Italy.

When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

Six people, one room, one night, one game, a lot of sensuality and much to discover. A Film that shows how bodies and minds might meet when allowed to. Get involved within a stimulating experiment, somewhere between aesthetic statement and real venture, between pornographic art and the attempt to reposition sexuality within dialogue and actions.

Documentary about the life and works of Italian filmmaker Roberto Rossellini.

A film documenting the landscapes of northern Iceland.

In a rare interview, Katharine Hepburn shares her memories and memorabilia.

"Emotional memories that had formed the ambiguous boundaries between reality and fantasy began to divide exactly in two, and at the same time there was no emotion left on either side of reality and fantasy." Chang Gyeong is the name of a palace in central Seoul - a palace that was turned into a zoo by the occupying Japanese.