Someone Must Pay

Surgeon Crisp announces to his student doctors and friends that he has solved the problem of limb-grafting, and shows proofs. Among those deeply interested is Mortmain, a musician and a friend of the surgeon.

The picture starts with Robert Warwick walking into the office of director Albert Capellani (the film's actual director). Capellani offers him the role of a heavy and hands him the script. The next four reels show Warwick playing a Raffles-like character, an ingenious crook who moves through society, committing robberies and even murder.

Rena is a young woman of mixed race. Although she is romantically pursued by an upwardly mobile African American named Frank, Rena does not decide in his favor. Her appearance allows her to pass for white, as she is of majority European ancestry, although she has grown up in the black community. She meets and falls in love with George Tryon, a young white aristocrat. But as their relationship deepens, Rena believes she has to acknowledge her African ancestry. Considered a lost film.

In this apparently lost film, a beautiful dancer's sexual allure is used by an evil cripple to entice men to their deaths. Falling in love with one of the potential victims, she is told by the cripple that he will set her free if her lover, actually a murderer himself, survives and escapes a bizarre labyrinthe which runs beneath the cripple's house.

Winthrop Clavering a mystery writer, is continually ridiculed for the fiction of the crimes he depicts, so he decides to solve a case himself. To that end, he determines to find the slayer of Pedro Alvarez, who whispered before dying that his assailant was a woman. At the City Refuge for Homeless Girls, Clavering obtains the assistance of Margaret Holt, the sister of Victor Holt, the district attorney. Margaret, it is revealed, was abducted by Juanita, a member of a gang of white slavers led by Alvarez. After escaping from a brothel, Margaret became Alvarez' stenographer, hoping to gather secret information on his gang. While searching for evidence, Margaret was surprised by Alvarez, whom she killed. Finally, Clavering captures the gang, clears Margaret, and encourages her romance with cub reporter Jack Howell. This film is presumably lost.

Edith Frome (Stevens) finds it impossible to live with her alcoholic husband Arthur (L ‘Estrange), and finally leaves him. After three years she returns but leaves each evening, returning late arousing the suspicion of her husband. Having her followed he soon learns that she visits a child. Suspecting the worst because of her friendship with Dr. David Brett (Phillips), he institutes divorce proceedings. Edith confesses the truth about the child and Arthur, realizing his folly, swears off liquor and they are reunited.

Broad-minded rector Stephen Carey is ousted from his church by his vestrymen and befriends Claudia Bigelow, a young divorcée who defended his position in the church. Claudia's carelessness in leaving a cigarette burning causes Jimsy, the housekeeper's son, to go blind. Stephen's prayers restore the boy's sight, and a happy future is predicted for all.

The famous painter Bernhard Steen has made a portrait of the actress Thora Flemming.

Miles Machree (J. Warren Kerrigan) meets Irish-American Sheila Lynch (Fritzi Brunette) when she travels through Ireland with her father (James O. Barrows). Soon after the Lynch's return to the States, Miles follows, and through his uncle's connections, gets a job on the New York City police force.

After Jeanette becomes the mistress of the ambitious Jean du Barry, he marries her off to one of his cousins so that she has an entre to the royal court. She soon becomes the favorite of the King and Jean du Barry becomes a regular around the court too. But all this is disturbed when Madame du Barry falls for Conte Brissac of the King's Guard. Jean du Barry's attempts to expose her affair only get him banished from the court.

In this story the hero is haunted by a beautiful young woman who tries to stab him to death with a knife. This fantasy recurs on each of his birthdays, becoming more and more real as the years go on. He leaves home to secure a place as groom, but arrives at his destination too late. Forced to retrace his steps, he seeks shelter in a little inn, forgetting that the hour of his birth is approaching. In the middle of the night he awakens, terrified with fright… Based on Wilkie Collins' novel “The Dream Woman”.

The film tells the story of a man and woman who don't know each other. After being matched by a matchmaker, after going through a series of red tape, they were sent to the bridal chamber and began a difficult life as a couple. Despite the primitive shooting methods and lack of training of the actors, the film has a very important place in the history of Chinese film.

The Talbots, formerly one of the Eastern Shore's first families, have gone to seed: Pap is a drunk, soddenly decaying in his ruined ancestral home, and three of his sons (William, Carol, and Ezra) are lazy, shiftless young men. Mulligan, Pap's second son who supports the entire family by oyster fishing, falls in love with wealthy Anna Lee, but when he first kisses her, she calls him "white trash."

Against the backdrop of New York City of the early 1850s, a young woman -- naively seeking to win the love she reads about in the romance novels she devours -- finds one prospect in an earnest denizen of the Bowery, and another in an elegant young aristocrat. Focusing on the bygone era's fashions, the novelty of the bicycle-built-for-two, and an inventor's quest for the horseless carriage, the film gently stirs the audiences' nostalgia for simpler times.