Life and Passion of Christ

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.

A father sacrifices an animal on the day of Eid al-Adha according to the traditions and customs of the past. According to the old custom, he gives the last bowl of water to the goat, but his son tries to save the goat. The father angrily looks for them. The boy makes the goat run away and puts the rope around his neck instead of the goat. This short film refers to the story of Ismail and Ibrahim in Islam.

The arrival of a newborn girl causes the gradual disintegration of the Cairn family; particularly for 9-year-old Joshua, an eccentric boy whose proper upbringing and refined tastes both take a sinister turn.

In one of the most hostile lands on the planet, an ancient people called the Israelites forged an army and carved out an empire. Their ancient military exploits are described in one of history's most famous religious texts; the old testament of the Bible. But by reading between the religious lines, ancient military historians unlock the soldier's secrets of the bible by examining the weapons, the strategies; and the commanders, some of whom are unlikely warriors, like Abraham, Moses, and Deborah.

In Israel, a joint French-Israeli scientific mission is set to unearth the secrets of the hill of Kiryath-Jearim (or Kiryat Ya’arim), converted to the site of a Catholic convent, where, according to the Bible, the Ark of the Covenant was kept for at least twenty years before being brought to Jerusalem by King David, father of King Solomon, who would eventually build the Holy of Holies inside the First Temple to house it.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

Escaping death, a Hebrew infant is raised in a royal household to become a prince. Upon discovery of his true heritage, Moses embarks on a personal quest to reclaim his destiny as the leader and liberator of the Hebrew people.

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

Rossellini takes numerous liberties with the original source material, rearranging and omitting events at will, presenting everything in a highly undramatic fashion. The film begins in the time of the Old Testament, allowing Rossellini to present the story of Jesus in its ancient, historic context.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.