The True Legend of the Eiffel Tower

100 Years of Wrigley Field celebrates a century of the greatest moments and best personalities of the ballpark on Chicago's North Side.

This History Channel documentary traces the Ottoman Empire from its beginnings in the 14th century to its incarnation as one of the largest empires in history, spanning three continents.

Bordeaux-Paris was the best bike race you’ve never heard of: a midnight start, 550km-long, and ridden behind motorised ‘dernys’, with winners including Jacques Anquetil and Tom Simpson. More than thirty years since Bordeaux-Paris was last raced, pro cyclists Mitch Docker and Sam Bewley are aiming to recreate the infamous 1965 edition. How will they fare at the ‘Derby of the Road’?

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

Robert Gould Shaw leads the US Civil War's first all-black volunteer company, fighting prejudices of both his own Union army and the Confederates.

The amazing and epic story of how the Paris Opera House, the Palais Garnier, was built from 1852 to 1870, thanks to the decisive impulse of the French Emperor Napoleon III; a story that is also that of the birth of a golden age for orchestral music, opera and ballet; of the rise of the urban bourgeoisie turned social elite; and of a certain mysterious inhabitant of the darkest corners of a legendary place.

This timely, bold set of one-on-one interviews presents two of the most venerable figures from the American Left—renowned historian Howard Zinn and linguist and philosopher Noam Chomsky—each reflecting upon his own life and political beliefs. At the age of 88, Howard Zinn reflects upon the Civil Rights and anti–Vietnam War movements, political empires, history, art, activism, and his political stance. Setting forth his personal views, Noam Chomsky explains the evolution of his libertarian socialist ideals, his vision for a future postcapitalist society, the Enlightenment, the state and empire, and the future of the planet.

France, 1920s: An affluent ladies' man finds himself in love with a homely married woman.

At the end of the 18th century in Bulgaria under Ottoman slavery, a young woman leaves home and family to become leader of a guerrilla gang.

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.

A dramatization of a novella by American writer Henry James. This subtle, psychologically profound story is narrated by young literary scholar Henry Jones, who, while searching for documents related to the romantic poet Jeffrey Aspern, finds himself in Venice at the end of the 19th century. Juliana Bordereau, whom Aspern sang about in his work and who owns much of his correspondence, still lives there. However, Juliana refuses to show it to Jones because these letters are the only link connecting her to life. Jones therefore decides to resort to trickery. He moves in with Juliana under a false name as a lodger and, by pretending to be in love, wins over her niece Tina, who is ultimately willing to help him. However, it soon becomes clear that such manipulation of people, even if motivated by a noble goal, does not pay off.

A 1984 Slovak language drama film directed by Martin Tapák.

Fareed Zakaria explains the modern explosion in white supremacy, why the ideology is growing in the U.S. and abroad, who the leaders are, and what they want.

In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.