Peaceful Death

Three generations of women deal with family secrets while surviving the east wind, fire, insanity, superstition, lies and even death.

After leaving the asylum, Vincent van Gogh settles in the home of Doctor Gachet, where he keeps painting amidst the torments of his failing mental health. He begins an affair with his host’s daughter, however, she soon realizes that he doesn’t love her and that his heart beats only for art.

Lui, a struggling author with a heart condition, and his wife Elle, a retired psychiatrist, find their idyllic life shattered when Elle begins to succumb to the effects of dementia.

After a terminal diagnosis, Herb Kaplan seeks peace with his broken family and the joy he long overlooked. As old wounds heal and new bonds form, he learns to cherish the sweetness in front of him and say goodbye on his own terms.

A lonely and elderly widower struggles to come to terms with the loss of his wife and the circumstances surrounding her death. When he visits her grave, he encounters a little girl who shows him the path to healing and fills him with hope.

Northern Portugal. An imposing residence with its garden and magnolia tree. As we know, home is a place that film, this outdoor art, has often used to depict less the joys of family life than a pernicious space. André Gil Mata has made it his stage, with its rooms, its furniture, what plays out there and what has already played out there. From one room to another, from one era to another, the film delves deep into this enclosed space, a kind of suffocating box.

Janette is terminally ill and wants to die in a dignified way but this is not permitted under British law. She refuses to wait for death in unbearable pain so she opts for a physician-assisted suicide in Switzerland. Before departing on the final journey she has to explain her intention to the family members and close friends.

After learning that a brain aneurysm will kill him in about 90 minutes, a perpetually unhappy man struggles to come to terms with his fate and make amends with everyone he has ever hurt.

BILL is in end of life care waiting for the sweet release of death - but unfortunately for him he is stuck in an infinite time loop, causing the day to restart the second his heart stops... A darkly comic yet sweet and hopeful film all about enjoying the time you have left and saying the important things to the important people.

A love that seems to be eternal begins to end. Aurelio will do everything possible to make his inheritance fall into the hands of the love of his life, Ricardo, once he dies.

Luz, a Filipina interpreter, takes a call from Dr. Femi Balogun to discuss the end-of-life options for Remedios, an elderly Filipina woman in the hospital ICU during the early months of the COVID pandemic.

Interlude is a heartfelt, dialogue-free short film about Walter, an elderly widower who rediscovers his passion for music. Haunted by memories of his late wife, Walter struggles to play the piano again after years away. With only his loyal dog for company, he battles self-doubt, aging hands, and unfinished melodies as he prepares for a local talent show. Through quiet determination and bittersweet flashbacks, Walter finds the courage to finish his composition and honor his wife’s memory, ultimately reconnecting with his family and himself.

A terminally-ill young woman goes on a trip with her sister and friends before deciding whether or not she will go through with her choice of physician-assisted dying provided through Oregon's Death with Dignity Act law.

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.