Everywoman

Wealthy, aging millionaire John Hunter Yates (Frank Morgan) seeks to recapture his youth by pursuing a young actress, Blossom Bailey (Elissa Landi), leading him from America to Europe, where he finances her and a musician lover, only to realize his mistakes and return to his neglected wife, Elinor, understanding their true connection.

A 1911 short starring Arthur V. Johnson, Marion Leonard and Henry B. Walthall. it is now considered a lost film.

To save her artist lover from starvation, a young girl weds a rich old man, who buys his pictures. Not knowing her sacrifice, the artist becomes famous and publicly snubs the girl. On his deathbed the old man sends for the artist and divulges how he forced the girl to marry him and the lovers are reconciled.

Isabel Bradford, an orphan, keeps house for her grandfather, her sisters Ina and Marie, 18 and 10 years old, respectively, and her brother Harry, aged 16. Harry and his grandfather answer the call to arms. Ina meets a wounded volunteer carrying a message to the American general that the British are preparing to attack. She undertakes to carry the message and after a trying experience reaches the American camp and the soldiers advance to meet the enemy. In the meantime the British have attacked the settlement and a pair of drunken soldiers enter the Bradford cabin and attempt to force caresses upon Isabel. Capt. Burton, a British officer, arrives and hurls them aside. Isabel's heart flutters with emotion as she thanks the dashing officer, and he in turn is smitten with her charms. Later another detachment of soldiers make an attack and Isabel barricades the heavy door and fired the guns which her tiny sister loads.

Yale graduate, Yale Durant, facing financial ruin and contemplating suicide, discovers his fiancée's father is also facing ruin; he tries to save them but ends up in a perilous situation, getting caught up in a family feud and a rival's plot.

Rose Jorgenson, a poor tenement dweller who lives with her daughters Rose and Norma in a slum and whose husband is in prison, finds out that he is to be electrocuted. Distraught, she commits suicide. The children are adopted--Rose by the wealthy Judge Keith, who brings her up in the lap of luxury, and Norma by a poor neighbor, who raises her in the squalid tenement she was born in. After they reach adulthood Norma is hired as an assistant to the shady hypnotist Caistro, who also knows Rose and notices the strong resemblance between the two. Complications ensue.

Henry intends to leave his wife for Mrs. Lenning but seeks to retain custody of their son, leading to a situation where they attempt to force Mrs. Jackson to run away, allowing him to secure a divorce.

Maida Carrington goes to the city with gambler Jack Morgan but flees after witnessing him stealing money from Steve Boyce. Joining the Salvation Army, she meets a now destitute Steve in need of help. In time they fall in love and Steve proposes, but Maida feels guilt that her past association caused his downfall. She determines to find Morgan and reclaim Steve’s money, but when she does, he refuses, and a struggle follows resulting in Maida accidentally shooting Morgan with his own gun. The sheriff, aware of the gambler reputation, releases her and she and Steve marry.

Author Gibbons sitting on the porch with Silas Hawkins says there is a story in everything, but the landlord disagrees. He says there is no story in the passing funeral of Good-for-Nothing Gallagher. Silas Hawkins spins a tale of lost love, bravery and betrayal, and that is the story of the funeral of Gallagher.

Based on a play by Edward Bulwer-Lytton. Originally released in six reels, but later cut to four due to poor reviews.

Devdas, the son of a zamindar, and Parvati, his neighbour's daughter, are childhood sweethearts. However, class and caste differences prevent their marriage. Devdas is sent off to Calcutta, while Paro is married off to an aged rich widower. In Calcutta, as remorse drives him to alcohol, Devdas meets Chandramukhi, a prostitute. All Indian prints of this Bengali version were destroyed in a fire that ravaged New Theatre’s studios. Today, only one copy of the film survives which belongs to the Bangladesh Film Archives. Of that copy almost forty percent is destroyed.

Edwin Rowley is a talented but uncommercial playwright. Stephen Hunt is a successful theatrical manager. Rowley finishes a brilliant play and sends it to Hunt for production. Recognizing it as a masterpiece, Hunt puts his own name on the play and produces it, achieving fame as a playwright. Upon discovery of the theft the shock is too much for Rowley’s wife, who dies. Rowley, devastated, loses his sanity and disappears. Hunt decides to adopt Rowley's orphaned son and raises him as his own. Years later, Rowley, wandering aimlessly, sees a poster advertising his play with his own name on it. This sight brings him back to his senses. Rowley and Hunt are reconciled, and Rowley finally receives public recognition and enjoys his success as the true author of the play.

Failing to get a loan from Nicholas Eyre, the Steel King and friend of his wife's father, Robert Lathrop induces his wife to beg for the money he plans to spend upon his mistress. He is given a check. Hurrying to Lola's apartments, he finds her in the arms of her lover, Haskell. In the fight that follows, Lathrop is killed and left in the park. Believing her husband to be a suicide because Eyre refused to advance him funds, the wife plans to revenge what she considers his murder, but enlightenment comes after terrible damage has been done.

Law partners, Gerard Hale and Luther Snaith, vie for a vacant Senate seat as well as the governor's daughter Marion. When Tom Shores and his sister Mary appear at the firm with the news that her two-year-old is the illegitimate child of Gerard's late father, Gerard Hale, Sr., Snaith sees the opportunity to win both the Senate seat and Marion. Gerard, feeling an obligation, gives Mary a check for $50,000. Luther has Mary and Tom seized by detectives to force an open admission from Gerard of culpability. Meanwhile, Mrs. Hale and Marion have stopped in to visit and Gerard, fearing the truth will prove fatal to his mother's ailing heart, claims that the baby is his. Mrs. Hale is confined to bed and Snaith blackmails Gerard to withdraw from the race. Mrs. Hale asks Gerard to do his duty and wed Mary. Mary wants to be truthful, but Gerard fears that may prove fatal to his mother. However, when Mrs. Hale dies, Gerard is freed from the shackles of truth.